A Quote by Brad Stine
When you're at a comedy club, if you're not funny, you don't work. People will let you know, whether it's by booing or yelling for you to get out of the club. People are drunk or whatever and they'll let you have it.
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The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
I pray Cardiff get back to the Premier League. If I sell Cardiff, I will buy another club in the U.K. I have a club in Sarajevo. The fans are fantastic. The people who run the club are incredible. They really motivate me. I'm looking at another club in Europe and then the MLS.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I'd like to help other comedians and when I get a little older I'd like to open up a nice comedy club that is straight classy, with a straight restaurant and a chef. The whole thing, red carpet, and treating people nice, for people to come back and have a good time. That's the kind of comedy club I want to open up.
But what I say to people who don't know me and listen to people who say I'm a bad egg or whatever is that I was club captain at Fulham and club captain at Leeds.
Performing comedy in San Francisco to begin with is pretty wild. You've got to - you've got the human game preserve to play off of. And it's a lot of great characters everywhere. You work off that, and then you play the rooms, and eventually you get to a point where you're playing a club that is a comedy club, with other comics.
With stand-up, I can have an idea, go down the street to a comedy club and work on it, flesh it out, book a venue, people will come, then film it. I do all that myself; I never have to answer to anybody.
A lot of people talk about clubs but if something happens the club will know and will inform me. If one club wants to buy me we will have to sit together to take the decision.
People often say, 'I like your comics, even though I don't know enough math to get all of them,' as if it's some kind of club where they don't belong. But there's no club. There's just lots of people who are excited about thinking, learning, joking, and sometimes overanalyzing things.
I don't believe I can offend you in a comedy club. I don't believe I can offend you in a concert. A comedy club is a place where you work out material; you're trying material.
A comic, all they have to do is, if you do something funny in a comedy club and you put it up on you tube, it might get a million hits! All it needs to do is resonate with one person who sends it to their friends, who sends it to other people, and before you know it, it has spread virally and BOOM! All of a sudden that person has a name.
I used to drink, I did, I had to quit. Man, I was an embarrassing drunk. I'd get pulled over by the cops, I'd be so drunk I'd be out dancing to their lights thinking I'd made it to another club.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.
I'm sure at some point in my life, I'll want to go back to club football because people will say, 'Oh well, he did OK as an international manager, but he didn't work as a club manager.'
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