A Quote by Brad Warner

I was very attracted to the way that Zen did not go into the imagination land. And now I've forgotten what your first question was and how we were going to tie this together.
When I did my first media interviews after I was announced as a team principal, the first question was, what qualifies you for the job? The second question was, did your husband place you in the role? And the third was, how are you going to do your job as a mother? I was speechless to think that we were not making any progress.
So what I liked about Zen was that it never goes off into the realm of imagination land, or if it does occasionally, the good teachers will openly address it specifically as only imagination. Both of my teachers were very good at that.
Think about last time you were broke ... now how well did it go with spending your way out of it? Did that work?
Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning.
What attracted me to Zen was my first teacher, Tim McCarthy. He was extremely genuine. It wasn't even really a Zen thing, that sort of came along later.
How did the land of Jefferson, how did the land of King, become the land of hamburgers and raisins that can sing? Roosevelt was cripple, Lincoln was a geek, they'd never get elected, their clothes were never chic.
Tantric Zen is for someone who is really broad-minded. It is Bodhidharma's Zen, your Zen, my Zen. Which doesn't mean I have a problem with Japanese Zen. Most Japanese Zen is minding your p's and q's.
I looked at the pilgrims coming to America. In their first year, they decided to try a communist experiment. And the first year of the pilgrims, they established this socialistic concept: 'Well, we have all this land before us - let us all work it together.' Oh, how wonderful it sounded. 'Let us all work it together, and we will share in the produce of the land.' They almost starved to death! Almost half of them died, that very first year.
When you're going over periods of your life, you remember certain things, certain events, certain people that you've forgotten. You've forgotten certain lessons or people you were very close to, and then you haven't seen them in a while. I think if you can go through life with the correct regrets, then looking back on it, like I did, a certain portion of my life is pretty enjoyable. All my regrets are ones that I'd like to keep.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
The Zen way of calligraphy is to write in the most straightforward, simple way as if you were a beginner, not trying to make something skillful or beautiful, but simply writing with full attention as if you were discovering what you were writing for the first time; then your full nature will be in your writing.
The reality is that the founding fathers were land speculators. The fact was that you couldn't vote in this country if you did not own land, and that was basically you had to be a white man who owned land. Now how did they get that land? They basically had to steal it from someone, and that would be probably the Indians. And so most of the initial founding fathers were, while they may have had some really nice ideas about democracy, they had a lot of issues with people of color. They had a lot of issues with people who held things that they coveted.
As a creative individual, I really go out of my way to avoid the corporate scene in terms of songwriting. If the first question is how much money is it going to make, I'm going to be in trouble anyway.
When something happens - good, bad or ugly - you find a way to be able to do your part for your community. How do you better the lives of Indigenous people, how do you give back to the land, how do you stay connected? All of this is the same question.
After the First World War, it was, like, let's form the League of Nations, we have to learn to work together. It's the only way we're going to survive. And now it's like we're undoing these very fragile institutions that were built after the First and Second World Wars that were about nations working on a kind of global diplomacy for our mutual benefit. And we're undoing them at such rapid-fire pace.
I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.
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