A Quote by Brad Warner

As you're implying, there's a new technology that can look even deeper into that brick and we can start getting into a level where it breaks down so that the brick isn't even there, but obviously it is because Moe can hit Curly on the head with it. It's quite bizarre and all relative.
But I'm not saying anything because I've just noticed the brick. Or rather the lack of brick. Of course, some of the dark shapes on the floor probably are bricks, but they don't look like my brick. The one that can be up against the door. But isn't.
You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'
The fact is that there is a contradiction going on but our brains don't like contradiction. So when Moe hits Curly on the head with a sledgehammer and Curly says, "ow" and Moe says, "Serves you right Numbskull", you can say that's because they're separate beings, and that's true.
We pave the sunlit path toward justice together, brick by brick. This is my brick.
In a word, learning is decontextualized. We break ideas down into tiny pieces that bear no relation to the whole. We give students a brick of information, followed by another brick, followed by another brick, until they are graduated, at which point we assume they have a house. What they have is a pile of bricks, and they don't have it for long.
Ever hear of the phrase, Banging you're head on a brick wall?" Ah, but you forget, Darren, vampires can break brick walls with their heads.
I avoid grandiose plans. I start with a small piece that I can do. I go to the root of the problem and then work around it. It's building brick by brick.
That brick that you're standing on, that foundation that you're standing on, there's a brick in there that was placed by someone you never knew, sort of a faceless possibility, but you're there now. You have an opportunity to put your own brick in there. That's what it feels like we're doing with 'Hamilton'
The brick walls are there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don’t want it badly enough. They’re there to stop the other people.
A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
Each workout is like a brick in a building, and every time you go in there and do a half-ass workout, you're not laying a brick down. Somebody else is.
We have got to extend the hand of friendship, we have got to take the peacelines down brick by brick
I would say if you have a dream - and whether that is you want to be some sort of artist, or you want to start a start-up or a business, anything that very much feels like it's uniquely yours and you may not be able to get traction going through traditional channels - the way to do it is to build it brick by brick on your own in microsteps.
Brick walls are there for a reason. The brick walls aren't there to keep us out. The brick walls are there to show us how badly we want things.
You have those walls up all around you...Come a day you gonna want to tear them down brick by brick and gonna find that the cement is all hard. What you gonna do then?
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