A Quote by Brad Willis
I think, in a way, I've returned to who I used to be as a global correspondent whose life was devoted to really making a difference, illuminating what's happening in the world, always drawn toward the suffering of peoples and cultures and exposing exploitation and injustice; but now I'm the same person in a much, much softer iteration.
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Without absolute certainty, what do we do? We do the best we can. Injustice is happening now; suffering is happening now. We have choices to make now. To insist on absolute certainty before starting to apply ethics to life decisions is a way of choosing to be amoral.
I'm always drawn toward family drama, and dysfunctional family stories. It speaks to me, in a really profound way, and I think there's so much to explore within it.
If you run your business fairly; if you treat people well; if you try to move your business into areas that are making a real positive difference to other peoples lives; I think you'll A. have much pleasant life, but B. I think you'll have a much more successful business.
The climate is doing its usual tricks. There's nothing much really happening yet. We were supposed to be halfway toward a frying world now.
What the Black lives matter movement is doing is they are making it personal. They are making it hash tagged, exposing the racial injustice that continues to haunt our country in a way that you can't ignore. There is power in injustice becoming personal.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
I don't really even go out that much now, except to walk my dogs, because I don't want to be recognised. I used to be a really friendly person, and now I just want to be invisible. I liked myself much more before I got famous. I was much friendlier and had more energy.
I don't really see a difference in independent and major labels. To me, it's pretty much the same. There used to be a difference between indies and major labels, but I don't think there is anymore.
I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.
The demonizing of black identity is much more of a global phenomenon than many would like to admit. I've traveled abroad extensively, and it's hard to ignore the subordination of darker peoples to lighter peoples the world around.
We are opposing the exploitation of man by man, similarly we must oppose the exploitation of peoples by other peoples ... but today this is no longer enough ... we have to assist the peoples fighting for their independence to develop their economies, to increase their standard of living
What Ottawa and Washington used to think about Turkey or Iran was not very important because we really didn't think much about either, but now what we think about them is extremely important - to ourselves and to many other peoples.
Much of the rest of the world has already learned some English. They pretty much understand the American way of doing things, because our culture has been ubiquitous and has been the 500-pound gorilla in the global economy. But the world is far more interrelated than ever before, and no one culture can thrive without the knowledge of how to function in other cultures.
I'm not drawn to people that much unless there's a really serious energy happening, but I'll take a lot of pictures of trees, or I'm always staring at the ground. I'll see an oil stain that looks like something out of 'Lord of the Rings' or something, and that's what kind of calls to me... I'm drawn to that aspect of photography.
Beauty and fashion are not really local anymore. You really have to be a global citizen to know what trends are. Now, it's pretty much the same designers and the same kind of trends, whether I am in New York, Milan, or Mumbai - it's the same.
I do not feel that the West has really become less condescending toward foreign cultures than the Greeks and Romans were: it has only become more tolerant. Mind you, not toward Islam—only toward certain other Eastern cultures, which offer some sort of spiritual attraction to the spirit-hungry West and are, at the same time, too distant from the Western world-view to constitute any real challenge to its values.
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