A Quote by Bradford Cox

A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.
I think the key for any kind of artist - and this transcends music - is a certain degree of authenticity and sincerity.
You know, I think sometimes certain players - and I don't name names - but certain players have a certain haircut, they have certain sack celebrations. They draw a lot of attention to themselves.
Some places speak distinctly. Certain dark gardens cry aloud for a murder; certain old houses demand to be haunted; certain coasts are set apart for shipwreck.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
You want to think about certain styles of music as being reflective of a certain culture or a certain time or a point of view. You don't want it to be just an intellectual exercise.
I'm allowing myself every opportunity, every tool that every other artist should allow themselves to use. If anybody expects me to not use certain language or certain words, like I have some kind of penalty restriction, it's completely unrealistic.
For a novelist, it’s kind of an onerous burden to represent an entire culture. That said, I’m in a unique position to speak on behalf of Afghanistan on certain issues that I feel are important, particularly the issue of Afghan refugees.
Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
I don't think in biology it's very controversial at all. Whether certain behavior is culture or is not culture is argued. I think virtually all biologists would agree that some animal behavior is culture. Bird song is a good example.
I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
You know what ? Certain people think they will feel good if certain things happen The trick is : you have to feel good for no reason
If I can give something to the next generation, I want to give a message of positivity, to believe in themselves, because I think the world has just a lot of unnecessary stresses to be a certain way, look a certain way, do certain things.
I feel like certain people think that certain styles of music will taint their jazz style.
Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.
Everything I do has a certain quality, a certain flair, a certain flavor. I like to eat the way I like to dress, the way I listen to music: put it all together, and it's a great party.
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