A Quote by Bradford Cox
When young groups put out albums, they're always forced to go through this cycle of touring and talking and flaunting and posturing and peacocking. Nobody makes me do that anymore.
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But that would put me on a path that would make me totally divergent from who I am. I don't have to go through the heartache many other people go through, of figuring out what makes them "wealthy." I know what brings me joy.
A lot of rappers don't have to go through what I had to go through as a singer. I was always in a bubble that they put me in, but I was always punching out. It was a tough line to walk.
I think it's very important to always make sure that you're talking to the entire coalition and to as many Americans as possible; not to go chasing after one little group or another. The Democrats would bring new groups into their party and not notice that larger groups are going out the back door.
One thing I'm most passionate about is that I'm geared up and ready for another cycle of touring, to go out in the world and be whoever I need to be for someone.
We're definitely hanging up the touring shoes but we'll do other things. We'll do an odd gig here and there but going out and actually touring for a month or two, we're not doing that anymore.
I used to make albums because I wasn't touring, and so I thought, "This is the best way for people to find out about me.
Each album has its own cycle. We wanted to capture all those feelings and moments for this touring cycle.
When you put money directly to a problem, it makes a good headline. It makes a good campaign slogan. You get to claim that you've engaged in these activities within an election cycle. But certain investments take longer than an election cycle.
With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.
Nobody really wants to work anymore. Nobody has the dedication to say, "It's going to take me ten years to get through this thing."
On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
If you are not going to produce albums then you are not going to produce new fans. It's impossible. I'm a huge believer in putting music out as quickly as early as possible, touring hard and then working on putting the next one out. I don't need to break. I just need to put a record out.
My historical reading of the situation is that these great monolithic empires developed, Rome, Turkey, and so forth, and they always break down when enough people, and it's always the young, the creative, and minority groups drop out and go back to a tribal form.
I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.
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