A Quote by Bradford Cox
Talk to Arto Lindsay and I'm sure he's tired of people asking him about DNA; he's probably really into what he's doing now, which is good stuff. I guess I probably feel like that. But I'm obviously not comparing myself to someone as iconic as that.
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I feel like talking to people who don't tour, when you talk about touring - obviously we're super blessed and very lucky to be doing what we do - but there are so many weird things that could never happen anywhere else. When I talk to people who don't tour they look at me like I'm being bratty and complaining about this job that I have. It's not that! It's the fact that when I'm home I can exercise every day, I can cook myself good meals, then when I'm on the road for a long time it's like, "There's a Subway. I guess I'm eating a bowl full of lettuce because I don't eat McDonalds."
If I'm throwing a no-hitter and someone says, 'Hey, you've got a no-hitter,' obviously I'd be like, 'Yeah, I know.' I just try to be humble. I don't like to talk about myself. I have no problem speaking up when I screw up, but if I'm doing good, people are going to notice. I don't need to talk about it.
My big complaint with myself is that I get tired. But, I forgive myself because it's human to get tired. But, I didn't always feel like I could forgive myself. There's a certain [drive], I think. But, now I feel like, "OK, you can be tired. People should let you be tired. Then you should go and take a nap, and you should sleep." That's about it.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
You meet people who are great to hang with, and you just want to make stuff. So, you just make stuff. I never would have seen that coming. I guess at this point, I can't say that I'm really picky about it. If someone wants to work with me, I'm psyched. As far as who I might call, I don't know. I've never thought about it. Maybe I don't feel like I'm able to ask. That hasn't crossed my mind. I'm that girl who waits to be invited to the dance. I'm not doing any inviting myself, if that makes any sense.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
Success is always something completely different to people. I feel like I've succeeded, if I'm doing something that makes me happy and I'm not lying to anybody. I'm not doing that now, so I feel really good about myself.
I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everything.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
I think success is about purpose. People ask about success at different points in your life. As I look back, I think people that are successful feel good about what they are doing, and they can look back at what they've done and they feel good about it. People sometimes ask about success and they say, "What's your legacy?" and I say, "I think it's really a dumb question." I think the question is: What am I doing now? Do I feel good about myself? Am I proud of myself? Whatever purpose there is in life, I think success is about purpose. It's not about material things.
Succeeding makes us feel good. But beating someone else makes us feel really good. Comparing ourselves to others and coming out on top creates a sense of entitlement. And when we feel entitled, we cheat more because, of course, the rules don't apply to awesome people like us.
There's obviously some appeal in scenes for me - there's something I respond to. I keep doing those films where I put myself out there like that. I guess I look for those kinds of moments and I pride myself on being an actor who will do just about anything for a laugh - so long as it's within context of the scene in the movie and it's not gratuitous. I have to feel it'll make people laugh.
We can talk about the economy, we can talk about Social Security. The biggest problem this world has is nuclear proliferation. And we have a country out there, North Korea, which is sort of wacko, which is not a bunch of dummies. And they are going out and they are developing nuclear weapons. And they're not doing it because they're having fun doing it. They're doing it for a reason. And wouldn't it be good to sit down and really negotiate something and ideally negotiate? Now, if that negotiation doesn't work, you'd better solve the problem now than solve it later.
I never felt like someone who was boyish and coming to terms with asking girls out or anything like that, which was what 'The Big Steal' and 'Spotswood' were about. But I guess that's the impression I left on people.
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