A Quote by Bradford Morrow
How often do we use other people as screens upon which to project our obsessions? Our discontents, dreams, desires, and fears? Well, I always thought, often enough that its a wonder the whole waking world isn't simply viewed as an endless improvised film. One with as many screenwriters, producers, and directors as there are actors
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I often think about the many remarkable things that my personal computer can do which I never ask it to do. I probably use a small fraction of its capabilities. I often wonder if the same dynamic occurs with our capacity for creativity.
Ultimately, our ideas about robots are not about robots. The robot is a canvas onto which we project our hopes and our dreams and our fears... they become embodiments of those hopes and dreams and fears.
Often secret desires as well as abilities surface in our dreams.
And then, once you've written, you meet producers and directors and actors. You get to meet interesting, talented, creative, artistic people, and it also staves off a bit of creative stagnation when you can't act, which is the reality of the industry. So often, you can't act because there are just too many cars and not enough car parks. But, I love writing and I'll never stop doing that.
If we knew how often the obedience of others is affected by our own, and how often our stepping forth soon brings forth a whole platton of helpers, and how often our speaking forth soon creates a chorus - we would be even more ashamed of our slackess and our silence.
Unfortunately, the true force which propels our endless political disputes, our constant struggles for political advantage, is often not our burning concern for democracy, it is often of our dedication to the principle of the rule of law.
We perceive through our senses a person, a situation or an event, and in an instant, we project our mental models - our fears, background and experiences - onto that perception. This often results in cognitive errors, which means we judge and respond incorrectly.
It is most often not our strengths, our courage or our successes that bring two human hearts together, but it is often our shared vulnerability, our fears and our common failures that make us one.
The awful scenes of death and suffering we were witnessing on our television screens have been going on in other parts of the world for a long time, and only now can we begin to know what people have gone through, often as a result of our policies.
One of our fundamental human needs is finding our partner that we hope we will stay with for the rest of our lives. You often find the same search in other genres. The mystery novel has a romance subplot. Literary novels often focus on that relationship but do not often end well.
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.
May we not then sometimes define insanity as an inability to distinguish which is the waking and which the sleeping life? We often dream without the least suspicion of unreality: 'Sleep hath its own world', and it is often as lifelike as the other.
I write about heroes all the time, and I'm struck by how much of what fills us with wonder in the man-made world was the brainchild of a monster. I mean, slaves built most of the ancient wonders, our city skylines are dominated by the product of sometimes very ruthless capitalist ideals. There's a horrifying thought that I often wonder, which is, are monsters sometimes necessary?
In my own country, many of the movies in recent years express our innate fears about what awaits us. They are apocalyptic visions that leave only a few people on earth-whole cities surviving under domes because we have depleted our natural resources. And often in these movies, for reasons that I question, we have space aliens who are always blowing up Washington, D.C., and the White House.
God cannot hear the prayers on our lips often because the desires of our heart after the world cry out to Him much more strongly and loudly than the our desires for Him.
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