A Quote by Bradley Beal
I like to sketch and draw and a lot of people don't know is that I drew a lot of my tats.
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If you wanna be an artist carry sketch pad with you, and sketch everything you see. Get so you can draw anything and it looks like what it's supposed to be. It's a lot of work, but if you really have it in you, it's not like work. It becomes fun.
A few years ago, kids from poor areas in France were asked to draw items of food. For a chicken, they drew a drumstick. For a fish, they drew a fish stick. Those are extremes, but there is a lot that needs to be done to help children discover good food.
I went to an art high school in Washington D.C., and I majored in visual art. When I started there, I was horrible - couldn't draw, couldn't sketch, couldn't do anything. I remember at one point I came to terms with the fact that I had to work my ass off to do well and that's exactly what I did. I drew and drew and drew, and it worked - I ended up getting the award for best artist and went on to apply to design school because I loved it so much. I think it really speaks to the idea that you can in fact excel at whatever you put your mind and your heart to.
I look at other people's tats for probably the idea, or like, where to put it or something. But, at the end of the day, all my tats gotta mean something back to me. The moment you get something that don't mean something to you, you're gonna regret that tattoo.
In high school, I used to draw on my arms with a Sharpie. I knew I was gonna have a lot of tattoos. I'm not exactly classified as an artist, so my drawings could only go so far as I could take 'em. Now my tats are all a story: There's not one I can remember where I got a tat just to get a tat. It's all a part of me. I don't think I'm finished yet.
I draw a lot of comparisons with Cam Newton and E.J. Manuel. But for the mental part, I like to view myself as Peyton Manning, Tom Brady, Drew Brees, and those guys. Because they're so ahead of everyone else when it comes to that part of the game.
I think people should be given a test much like driver's tests as to whether they're capable of being parents! It's an art form. I talk a lot. And I think a lot. And I draw a lot. But never in a million years would I have been a parent. That's just work that's too hard.
It's 33 years since we drew Wham! to a close and a lot of people's perspectives have changed and a lot of the rough edges have been knocked off.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.
I've always drawn a lot. I like the idea of turning a 2-D sketch into a 3-D thing very quickly. And clothing is really good for that. You can draw an idea in the morning and you can see it by the end of the day. I think if it were something like a four-month process to get from the idea to the final thing, I would get quite bored.
I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
I don't feel anything about it. I really like "Staring at the Sun" - I like that song a lot. I haven't heard a lot of their records, but I know that they're cool. I know that the people who listen to them are really awesome and I like those people, so I know that I would like the band, I just don't own their records.
My gut is my No. 1 asset. I also like to draw from a lot of people, and I ask a lot of questions. I'll literally show my ideas to 500 different people and get their opinions, and, in the end, after digesting all their opinions, I just trust my gut.
I feel like I'm a New Yorker to the bone. But there is a lot of the South in me. I know there is a lot of the South in my mannerisms. There's a lot of the South in my expectations of other people and how people treat each other. There's a lot of the South in the way I speak, but it could never be home.
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