A Quote by Bradley Cooper

If you look at anybody who's had along career, if you look at the choices they've made - even if the movies haven't worked - they've always worked with great filmmakers.
If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.
The thing that's nice about working with Adam [Sandler] is that there's sort of a family vibe, cause people who have worked on his movies have worked on many of his movies, so along with the kids and the cast, all the people that worked on the movie, it was like a family and every day we'd make each other laugh.
One of the things about Derek Jarman was that he was a painter who worked alone when he painted, but I firmly believe that one of the reasons he made films was for the company. He made filmmakers of all of us, that's the truth. I don't mean he necessarily made directors, but he made us filmmakers. Because we lived in a state of mutual responsibility for what we made.
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
I've always worked with a team of actors and filmmakers ever since I was a kid in Michigan making Super-8 movies.
My mother worked in factories, worked as a domestic, worked in a restaurant, always had a second job.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
I feel like everything does happen for a reason, and I can totally look back on my career and the decisions I've made and how it sort of worked itself out.
I have not worked with farmers. I have not worked with prisoners. I have only worked with human beings. I didn't see anybody as anything other than that.
Look, I know my Chelsea move hasn't worked out how anybody would have wanted and I've made mistakes, but it's not as simple as me just not playing football or picking up a wage.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
Most filmmakers' entire body of knowledge is of other movies. When they describe things, they describe them in relation to other movies. That's why we have so many cyclical movies that look like other movies. But I'm not cynical. I even go to some of those movies.
If you look at all the movies that have made tons of money, almost all of them are great movies. Even Titanic. I think Titanic is a great movie.
When we look at women, we have to look at the significance of their work in a different way from the way we look at it with men. Women have more often worked within the home, working equally as hard, I would argue, but not always out there where they're counted, not always up there in the labor unions, certainly not in leadership positions.
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
I feel like I've had a fantastic life and career with music, and I've worked very hard, but maybe I've had a bit of luck along the way.
This site uses cookies to ensure you get the best experience. More info...
Got it!