A Quote by Bradley Walsh

The first real gig I went to was Randy Crawford in 1980. Seeing a big star like that was just fantastic. — © Bradley Walsh
The first real gig I went to was Randy Crawford in 1980. Seeing a big star like that was just fantastic.
The real fans do not just admire the star of their choice, they identify with him or her, while the star, unlike Joan Crawford, comes to need the fans' love, admiration, and constant interest.
Many years ago, I had the pleasure of editing a book by Joan Crawford, who, like Norma Desmond, was still a big star; it was just the movies that had gotten smaller.
We've been seeing some good things from Randy. We're starting to see that Randy Johnson attitude that we've been looking forward to seeing.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.'
You gig and gig and wonder what your first Edinburgh show will be like, if people will like it, and when they do, it just feels like it validates the last few years of your life, and that you're on the right track.
I like Jamal Crawford. He's from Seattle, went to high school there, lived up there. He's fantastic.
It's my first All-Star experience. It's pretty dope seeing all the super stars and all the big-time names.
To become a big movie star like Joan Crawford, you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me.
I really struggled with doing nine-to-five and just wanted to do something where it felt like I was in charge and I was doing something creative. I imagine if the first gig had gone badly I'd never have done it again. I imagine there's hundreds of people who could have been really great comedians and just had a bad first gig.
I am attracted to fantastic writing, and fantastic reading, of course. But I think things that we call fantastic may be real, in the sense of being real symbols.
Nick Knight was my first big gig as a 'real' model. Prior to and during 'ANTM,' I never actually called myself a model because I always viewed it as a hobby.
When I was given my first gig, and I had no real appetite for a career, I just worked to get money so I could live!
I went to Montreal. My first gig went very badly. They just weren't laughing at anything. I found out they were a load of Christians, and it was a gig to raise money for a new church roof.
East Hampton happens to have been the first place in the world where I was a star, a real star with a star pasted above my name on the dressing-room door.
I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.
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