A Quote by Bradley Walsh

Normally, if I've got an audition, I'm punctual, I've learnt my lines, and I'll go looking smart. — © Bradley Walsh
Normally, if I've got an audition, I'm punctual, I've learnt my lines, and I'll go looking smart.
It's stressful to keep doing audition after audition after audition. You finish one and go to the next one, and you have to learn lines. For me, I have to work on my accent, so I was getting accent coaching and acting coaching. I wanted to make good impressions.
I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
I don't go out with the plan, 'Let me find a celebrity to go date.' That's just not something you do. I'm just looking for a good person, someone who can be my friend, and someone I can have fun with. She doesn't have to be a celebrity; she can be a regular chick. She's got to be smart, though. I like smart women.
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.
You can never make someone punctual who is not, or quick who is slow, or lively who wants to plod on carefully. I have learnt that every fault is an exaggerated quality, nothing else.
I remember being in the audition with Mark [Duplass] and I remember not being able to dominate him. He's so smart and centered and grounded. I can't do what I'd normally do to someone in this situation. I can't get the upper hand in the scene. I was really impressed and excited about the possibility to work with him.
I love growing older. Normally, I don't bother with make-up. This face in the mirror is changing. I've got new lines from smiling at the sprog so much.
When I went to auditions, if I didn't know the lines, I wasn't getting the job. If I knew my lines, if I knew what I was supposed to be doing, I got the job. And it was always like that - if I'm working hard, I get the result that I'm looking for.
I normally feel relief that I didn't die onstage or forget all my lines. Then I start remembering that I have to do it again sometime, and it'll probably not go as well.
I go to Stanford, and I'm an economics major, not thinking I'm going to do anything with acting. A professor came to the dorm where I lived looking for people to audition for an August Wilson play, 'Joe Turner's Come And Gone.' I gave it a shot, got one of the lead roles in the play.
My agent says, "You have an audition for the next Dustin Hoffman movie, playing a pioneer woman." And I go, "All right!" I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
In this age, I don't care how tactically or operationally brilliant you are, if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.
'iCarly' was one of my first major jobs, actually. I went into that audition and completely failed at it. I completely bombed... I forgot my lines. When I forget my lines, I kind of get angry. They had me do it again; I remembered them, and I booked it.
I went to the audition for a laugh and got the part for the way I walked down the corridor. There's no justice is there? [on getting a role from an audition
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