We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
Good history is good story-telling. And good story-telling demands empathy; it requires understanding different actors, differing motivations, competing goals.
Journalism classes teach us that one must extract oneself from the story in order to report without bias, but often we need to be in the story in order to understand, to connect, to help the audience identify or else it has no heart; it could be a robot telling the story, for all anyone cares.
I read my books out loud to myself because of the demands of the story and demands of language.
To make the future demands courage. It demands work. But it also demands faith.
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story.
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
Theatre is very much concerned with the society, with the social situation... A theatre piece of itself, demands a confrontation with the audience. It demands that you connect with people; it demands a collective and social effort with the company and later with the audience.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
I find the mediums to be incredibly different. In theatre you're telling the same story eight times a week, and in TV that story is constantly changing and you're often telling it out of order based on shooting schedules.
The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.
The faith which you keep must be a faith that demands obedience, and you can keep it only by obeying it.
I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
Love demands everything, they say, but my love demands only this: that no matter what happens or how long it takes, you`ll keep faith in me, you`ll remember who we are, and you`ll never feel despair.
Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.
How interesting it would be to write the story of the experiences in this life of a man who killed himself in his previous life; how he stumbles against the very demands which had offered themselves before, until he arrives at the realization that he must fulfill those demands. The deeds of the preceding life give direction to the present life.