A Quote by Bradley Wiggins

I went to see Ocean Colour Scene at Shepherds Bush and and felt part of something. They paved the way for me. — © Bradley Wiggins
I went to see Ocean Colour Scene at Shepherds Bush and and felt part of something. They paved the way for me.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
I was just a huge fan of Blur, Suede, Elastica and Pulp, of course, even Menswear and Ocean Colour Scene.
The lead singer of Ocean Colour Scene told me I looked like David Beckham when I interviewed him for MTV. I had short hair, was early in my career and still trying to find my confidence. Being a Man United fan, I should have taken it as a compliment; but it was meant unkindly.
There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it.
Nobody paved the way for me, Jesus paved the way for me.
Growing up, Catholic church really was such an incubator for my imagination, because all of those mysteries felt embedded in this insanely green, tropical landscape: the ocean nearby, the giant banyan trees. It all felt part of one seamless mystery to me.
When you grow up in that (multi-ethnic) environment, you see the world differently. Being a mixed-race child, I didn't always see colour in people, I really didn't. It was other people that made me see the colour all the time.
I always felt at home with Krishna. You see it was already a part of me. I think it's something that's been with me from my previous birth.
We are like ignorant shepherds living on a site where great civilizations once flourished. The shepherds play with the fragments that pop up to the surface, having no notion of the beautiful structures of which they were once a part.
Knowledge is awareness, and to it are many paths, not all of them paved with logic. But sometimes one is guided through the maze by intuition. One is led by something felt on the wind, something seen in the stars, something that calls from the wasteland to the spirit.
For the entire first term, Obama and his people blamed Bush for everything - which is another way of saying they felt Bush and the Bush years were the inescapable reference point for everything they were themselves doing.
A bird in The Strand is worth two in Shepherds Bush
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
When I was about 14. I saw my first mountain. I saw the ocean for the first time. I remember thinking that that ocean looked very similar to our wheat fields. I didn't know what I thought I would see when I looked out at the ocean, but I thought I'd see something different.
Sometimes I can see colour without opening my eyes. I saw that Billy's heart was no colour and every colour. Like water or diamonds or crystals, it's pure and reflects the light.
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