A Quote by Bradley Wiggins

Early Nineties - that was what it was all about: how people dressed on the terraces. — © Bradley Wiggins
Early Nineties - that was what it was all about: how people dressed on the terraces.
Since the early Nineties it's been very fashionable to say, 'It's all about the music.'
I remember in the early nineties people saying the hat was just for old women, but that's ridiculous.
With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.
My early memories are full of football talk around the house, of Dad standing on the terraces at Ayresome Park, of the occasional precious new pair of boots.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
When you talk about kicking racism out of football, people automatically assume you are talking about on the terraces and on the football field. But all racists have to do is keep their mouth shut for 90 minutes and they're fine.
There's a bigger question again about how to do prevention. It's not simply about putting out the early warning. The early warning was put out on Abyei; everybody knew that this was coming. This was intentional, and still it happened. So this idea that we fail to stop these things because there's not awareness about them, or that we need better early warning information, I'm increasingly skeptical of. I think it's about how you move that information into the policy process.
People notice peacemakers because they dress funny. We know how the people who make war dress - in uniforms and medals, or in computers and clipboards, or in absoluteness, severity, greed, and cynicism. But the peacemaker is dressed in righteousness, justice, and faithfulness - dressed for the work that is to be done.
My first job in NYC was playing a gig in the early nineties at CBGBs.
In the early forties and fifties almost everybody "had about enough to live on," and young ladies dressed well on a hundred dollars a year. The daughters of the richest man in Boston were dressed with scrupulous plainness, and the wife and mother owned one brocade, which did service for several years. Display was considered vulgar. Now, alas! only Queen Victoria dares to go shabby.
Aside from my modelling, by the early Nineties I was also starting to work as a photographer, which I loved.
That period in the late Eighties and early Nineties was when I was playing my best snooker. My trouble was that I had so many bad habits that my preparation was terrible: people like Steve Davis or Dennis Taylor were model pros.
We're thinking about how we can use Facebook as an early indicator of dementia. Family and friends can see how, for example, the person is talking about a journey they didn't go on or having lunch with a friend they didn't have lunch with. Can we use those as early alerts that maybe the person should see a doctor? The most important thing is early diagnosis.
I'm kind of stunned by hip-hop and R&B's embrace of what is essentially early-to-mid-Nineties Euro pop.
I go to Topman at lunchtime and stare at these beautiful, beautiful people who work there and who are so well-dressed. And I think: 'Oh! I want to look like that! They're amazing, how well-dressed they are!'
I joined the RCP (Revolutionary Communist Party) in the early '80s. I'd be in it still but it was wound up at the end of the nineties.
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