A Quote by Bradley Wiggins

When you are suddenly standing in front of a bunch of journalists being asked what it's like being a British Olympic legend, it's a bit much to take in. — © Bradley Wiggins
When you are suddenly standing in front of a bunch of journalists being asked what it's like being a British Olympic legend, it's a bit much to take in.
Girls bat their eyelashes and act like they don't know anything in front of guys they like, or give a little bit of eye contact, but not too much, or a bit of touching. Or being coy. Sure, I do a bit of that.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
I am a little bit of an egomaniac. I like being in front of the camera, so I take advantage of it when I can.
Winning the Olympics was an amazing feeling, but afterwards, it was a bit like, 'What do I do now?' So I lost a bit of motivation going back into training and competitions; I had so much pressure on me. I kept thinking, 'I'm the Olympic champion. I can't lose' - being only 19 and having to deal with all that pressure.
I see it in a lot of period pieces where everybody is standing and talking, in a stilted, archaic way, instead of being loose in the world. So, I try to do a little bit of research, just so that I can feel like I'm grounded, but then I try to bring as much of my human understanding that I can, under the filter of it being 1865.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.
Travel, for me, is a little bit like being in love because suddenly, all your senses are at the setting marked 'on.' Suddenly, you're alert to the secret patterns of the world.
Being called close-minded by religious people is a bit like being called yellow by a bunch of bananas.
There's nothing like having a football coach yelling at you at homecoming in front of a bunch of people. You do kind of get used to being inflappable in front of all that heated emotion. At times, that's very useful in business.
I am not worried about being a legend, like Solskjaer; you do your bit, and that's what counts.
Being in front of a live audience is like taking an steroid shot. The applause, the claps in each and every dialogue , people being mesmerized by the performance, and the standing ovation is unparallel. This kind if a feeling you can not get in any other medium!
To have an opportunity to get in front of a camera every single day is just priceless because it gets you closer and closer to being less self-consciousness in front of it and really being human and really making choices and standing by them.
What really resonated with my students, I think, is that most of the writers we worked with were journalists, and when they saw journalists simply raising questions and being put in jail for that, it did freak them out a little bit.
The problem with being British... I don't know if it's me being British or being raised a strict Catholic, but you never really enjoy success.
I like being known for being good at maths and having a brain. If I've been asked to do something but it's not relevant to me, I don't do it. I'd feel a bit of an idiot just turning up in a dress.
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