A Quote by Brady Corbet
Everyone's different. I mean, some people write journals for their characters and stuff, but that was never really my area.
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I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
In Vegas, everyone lets their hair down a little bit and it's a little looser. You expect to see some different stuff and hear some different stuff. Even the red carpet is different here.
At the end of the day, it's really, really difficult to make a brand-new show, to write a pilot where you have to introduce characters and everyone has to kind of be dynamic and have something different for themselves.
I've had journals ever since I was really little. Sometimes I write poems and stuff, but for the most part I write down what happens to me during the day that I don't want to forget. So I have books filled with little things like that.
It's time to start really writing some stuff, and I really wanted to write some stuff in the vein of the original Misfits, and this was really the first step in that direction.
I don't believe in typecasting. Just because all my characters may come from the other side of the tracks doesn't mean they are all the same. You don't stereotype people and generalize people, everyone's different.
It's really hard seeing somebody you love be in pain and be ill and there's nothing you can do. What's interesting is people act in so many different ways. You know, some people run away, some people get angry, some people fall apart. It's like everybody has a different way of dealing with stuff like that.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I just like to write stuff that makes people laugh, stuff that works, a fun movie that everyone can enjoy. I'm not really worried about the packaging, marketing, and what the studios are going to run next.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
People go through different stages of their lives at different times. If you're out of sync with your friend group, that gets exploded once everyone starts having kids because they just have to deal with different stuff that you don't really relate to.
Everyone has a different training style and being a female, sometimes you find you have to get really aggressive. Some people respond really well to aggression, some people don't.
I used to do poetry and write stories and stuff - I never really had anybody standing over my shoulder, like, "What did you write? Let me hear it." I hate that type of stuff.
The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.
I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
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