A Quote by Brahmanandam

Talent is a combination of perfect comic timing, diction, modulation, great script writing and most importantly, an invincible will, if you may call it so. — © Brahmanandam
Talent is a combination of perfect comic timing, diction, modulation, great script writing and most importantly, an invincible will, if you may call it so.
I believe that a good comic script can succeed despite being drawn badly, but that a bad script can't be saved by good art. Of course, great writing and great illustration makes for a great comic 100 percent of the time.
Learnt a lot like timing, voice modulation from Mohanlal sir. He is perfect in everything.
I believe modeling is a combination of natural talent, the ability to adapt to different situations, hard work, and, most importantly, luck.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
Even writing a script which will be funny is not easy. To make the script come to life and make the audience laugh, I will call myself more of an actor if I am able to do that.
The audience has reacted well to my comic timing. But, I also have other aspects to my acting talent.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
I DECLARE that God has a great plan for my life. He is directing my steps. And even though I may not always understand how, I know my situation is not a surprise to God. He will work out every detail to my advantage. In His perfect timing, everything will turn out right. This is my declaration.
There are some people who were born with good timing, and I think my comic timing is pretty solid.
Your structure and format may not be perfect, and you may not have picked the perfect franchise, but if I pick up a script, and the characters are real, whole, complicated and come from a place of somebody who really is feeling it, that's what people remember.
My comic timing is completely based on Pu La's literature, his style of writing and the wittiness between the lines.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
I used to be the best comic actor in my batch. Everyone knew that my comic timing was impeccable.
Even as in the blessed in heaven there will be most perfect charity, so in the damned there will be the most perfect hate. Wherefore as the saints will rejoice in all goods, so will the damned grieve for all goods. Consequently the sight of the happiness of the saints will give them very great pain.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else.
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