A Quote by Branden Jacobs-Jenkins
Family dramas are tough, as a playwright. Most stories are about characters going on a trip or a new character coming to town, because that's how you learn information about them. But with family, they all know each other already. There's years of history in every interaction.
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I know the relationships, and I already know my characters and how I'm going to reveal my characters to my readers - how I'm going to feed them information about that character. That stuff doesn't have to be in my outline.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
There are no new stories. It all depends on how you handle them. In romances the characters are going to fall in love with each other; you know that when you see the syrupy cover. It's how get there that's the fun.
We build deep and loving family relationships by doing simple things together, like family dinner and family home evening and by just having fun together. In family relationships love is really spelled t-i-m-e, time. Taking time for each other is the key for harmony at home. We talk with, rather than about, each other. We learn from each other, and we appreciate our differences as well as our commonalities. We establish a divine bond with each other as we approach God together through family prayer, gospel study, and Sunday worship.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
I think that's actually what draws me to family stories: the various roles we each play with each member of our families, and how different they can be from who we are with our friends and partners and lovers. I'm endlessly fascinated by how we navigate these family dynamics; they are the dramas each of us live out day after day, often in ways we don't even realize.
My family life reads a bit like 'Little House on the Prairie.' I was big sister to Joan, Renee, and brother William, and we grew up in Dalkey, a little town 10 miles outside of Dublin. It was a secure, safe and happy childhood, which was meant to be a disadvantage when it comes to writing stories about family dramas.
Putting on a movie is like going to war - for me, at least. It's all about time; time is money, and we don't have it. So it's all about getting to know each other intimately quickly. You are with family members that you like or don't like, but you can't leave them because you're stuck with them.
I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
It's all about the integrity of their characters. They [Marvel] care so much about the loyalty and integrity of each and every character and all of their stories. They trust and love their readership. They're the ones who have invested in these stories.
What's great about TV, and what I love about being on 'Parenthood,' is you have this family. I'm now going on four years of working with the same 100 people, and that helps you feel like your life has more roots. It's more conducive to having a family, and you're staying in town. So that part is amazing.
The Palestinians are not going anywhere - -they have nowhere to go. The Israeli Jews also aren't going anywhere - they have nowhere to go. But we cannot become one happy family, because we are not. So, we have to divide the house into two smaller apartments and learn how to say, "good morning" in the hall every day. Eventually, perhaps we will pop in on each other for a cup of coffee. But we need this semi-detached house, a two-family unit.
We all have rosy memories of a simpler, happy time- a time of homemade apple pie and gingham curtains, a time when Mom understood everything and Dad could fix anything. "Let's get those traditional family values back!" we murmur to each other. Meanwhile, in a simultaneous universe, everyone I know, and every celebrity I don't know, is coming out of the closet to talk about how miserable they are because they grew up in dysfunctional families.
Embrace every challenge you have, every person you meet, every place you visit, every task you succeed at, and especially those at which you fail. You will learn from them all. You'll learn about the world at large and about other people but most important, you'll learn about yourself.
When I do an Asian character or an Asian voice I'm doing one because that's my heritage and my family and where I come from. My family is of Korean descent and specifically North Korean descent. So it makes sense for me to talk about that issue because it's the only weapon I have to somehow avenge my family and my history.
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