A Quote by Branden Jacobs-Jenkins
I go through phases of watching a ton of dance/performance, and I am bizarrely well-informed on the subject.
Related Quotes
Bizarrely funny... Rarely is a documentary as well attuned to its subject as Howard Brookner's BURROUGHS, which captures as much about the life, work and sensibility of its subject as its 86 minute format allows.
When something's ending, you go through so many phases, and it can be frustrating. But once you're out on the other side, it's like you can really see all the crazy phases you went through.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
I am the biggest geek and fan of film and TV, and I just go through phases.
Well, I just think through your career you go through different phases, and I just got sort of uninspired by the whole studio process of making and releasing films.
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
I go through different phases where there's times of self-doubt, but when the bell rings and it's time to throw down and I get another opponent in my face, I just go to work my best. I fight and usually it turns out well for me.
In terms of my childhood, it was normal. You go through school, do well in school, and then I went to university. The performance arts aspect was never really an option because it was never in my family. Nobody was there to teach me anything about that. It wasn't until maybe my second year of university that I got inspired to dance.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
While I love dancing and I am trained in certain forms, I can tell you that I dance better with my daughter because we dance like there is no one watching us.
What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
I go through phases of stuff.
We're all humans; we all go through phases.
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