A Quote by Brander Matthews

There is a homely directness about these rustic apothegms which makes them far more palatable than the strained and sophisticated epigrams of the characters of Oscar Wilde's plays, who are ever striving strenuously to dazzle us with verbal pyrotechnics.
For some peculiar reason, two films about Oscar Wilde were started at the same time, back in 1959 or 1960. I played Wilde in one, and Robert Morley was in the other. As it turned out, at that particular moment there was no market for any Oscar Wilde movie at all.
Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong; we can pay for sunsets. We can pay for them by not being Oscar Wilde.
Oscar Wilde was suing the Marquis of Queensbury in 1895 for libel accusing Wilde of homosexuality Counsel: Have you ever adored a young man madly? Wilde: I have never given adoration to anyone except myself.
The only thing in the world worse than being Oscar Wilde is not being Oscar Wilde.
The key to making up Oscar Wilde quotes is to add '~ Oscar Wilde' at the end.
If you put on an Oscar Wilde [play], it will interest those who are interested in Oscar Wilde. But it won't interest anybody else, because they won't get that wit.
[Vincent Price] did Oscar Wilde on Broadway, and I think he probably did it because he was almost like an Oscar Wilde. He had that brilliant humor.
Oscar Wilde always makes me smile - with respect and admiration. His short stories prove that it is possible to be both sarcastic, even cynical, but deeply compassionate. Just seeing the cover of one of Wilde's books in a bookshop makes me smile.
What is that which can never die It is that faithful force that is born into us that one that is greater than us that calls new seed to the open and battered and barren places so that we can be resown. It is this force in its insistence in its loyalty to us in its love of us in its most often mysterious ways that is far greater far more majestic and far more ancient than any heretofore ever known.
I'm sure I've been influenced by every fine writer I've ever read, from Dickens and Austen to Auden and Jane Hirshfield. And also, the short stories of Updike, Cheever, Munro, Alice Adams, and Doris Lessing. And the plays of Oscar Wilde. And paintings by Alice Neel and Matisse.
As far as fiction goes, as far as everything from Dr. Seuss to Oscar Wilde to Bret Easton Ellis. Ray Bradbury. There's just tons of stuff that I love. Neil Gaiman!
White boys always get the Oscar. It's a known fact. Did I ever get a nomination? No! You know why? Cause I hadn't played any of them slave roles, and get my ass whipped. That's how you get the nomination. A black dude who plays a slave that gets his ass whipped gets the nomination, a white guy who plays an idiot gets the Oscar. That's what I need, I need to play a retarded slave, then I'll get the Oscar.
Of course, both [Oscar] Wilde & [Vladimir] Nabokov believe in many things, and these things emerge in their writing clearly - for Wilde, the folly of humankind and the (romantic) grandeur of the heroic, lone individual (not unlike Wilde himself); for Nabokov, the possibility of a kind of transcendence through a great, prevailing, superior sort of love (especially in Ada, the most self-congratulatory of novels.)
I was asked to be on 'The Colbert Report' last year as Big Bird and Oscar. But when we got there, we discovered they wanted both characters on at the same time. Stephen Colbert didn't know one man plays them both. We called Joey Mazzarino, our head writer, who's a very good puppeteer as well. He agreed to zip over and do Oscar.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
Oscar Wilde said that the gods punish us in two ways: first, they don't give us what we want, then, they do. He forgot the third way: we finally see the cost of getting it.
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