A Quote by Brandi Carlile
All of these lines across my face, tell you the story of who I am. So many stories of where I've been and how I got to where I am.
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There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
In this age, I don't care how tactically or operationally brilliant you are, if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'
But there's a story behind everything. How a picture got on a wall. How a scar got on your face. Sometimes the stories are simple, and sometimes they are hard and heartbreaking. But behind all your stories is always your mother's story, because hers is where yours begin.
I am keenly aware of how many people the Six of Crows stories' brought into the Grishaverse, and to me, the story of the Crows, of Kaz and his crew, provides a very different kind of story and point of view, than Shadow and Bone' and Alina's story.
I am surprised by how not-adopted the video reply has been. What keeps other people from doing it, I think, is that they think a video comes across as 'I'm cool, look at how many e-mails I get.' That perception doesn't scare me, because I know who I am.
I'm very grateful to be in a position now where I have a lot more control to tell the stories I want to tell. I feel no obligation to tell any one story. I will tell you my interest mostly lies in telling stories about empowered women, but I don't feel it's an obligation. But I do feel like I am servicing a voice.
I don't want to be like other authors and say that there are only a few story lines in literature. A story is like a human face. We have as many stories as human faces. You might have similar facial features, but they're all a little different.
I don't tell a story unless I have a very deep bench. If you tell an idiosyncratic story, there's no resonance. People read it and say, "I don't see anyone like that." So I tell a story only when I have many stories behind it.
I used to hide it but after a lot of encouragement from my friends at university, I've gained the confidence to come out with it. I am the sun from Teletubbies. There has been quite a few people pretending to be 'the sun' but only I could tell you the real story. Everyone says they can see the likeness between my face now and me as a baby. I still have a baby face. I haven't changed much either. I am still giggly.
But when I say it isn't meant for anyone's eyes, I don't mean it in the sense of one of those novel manuscripts people keep in a drawer, insisting they don't care if anyone else ever reads it or not.The people I have known who do that, I am convinced, have no faith in themselves as writers and know, deep down, that the novel is flawed, that they don't know how to tell the story, or they don't understand what the story is, or they haven't really got a story to tell. The manuscript in the drawer is the story.
Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.
When you face adversity . . . don't' ask: Why does this have to happen to me? Why do I have to suffer this, now? What have I done to cause this? Rather ask: What am I to do? What am I to learn from this experience? What am I to change? Whom am I to help? How can I remember my many blessings in times of trial?
Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
In this age, I don't care how tactically or operationally brilliant you are: if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete.
Humans are kind of story-propagating creatures. If you think of how we spend our days, think of all the time you spend on entertainment. How much of your entertainment centers around stories? Most pieces of music tell stories. Even hanging out with your friends, you talk, you tell stories to each other. They're all stories. We live in stories.
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