A Quote by Brandi Glanville

Housewives' was a very... I had so much anxiety on that show. It was so much drama all the time. — © Brandi Glanville
Housewives' was a very... I had so much anxiety on that show. It was so much drama all the time.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
Now that I think about it, my 40th birthday was the most anxiety I've ever had, and my wedding was also the second time I've had that much anxiety. So I'm starting to realize that I can't be throwing these big bash parties because I need to own that I get anxiety with a lot of people diverting their attention to me.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
The source of so much of my anxiety in life and the tensions in my relationship is my anxiety about my kid. It's all very abstract and unfounded and ungrounded.
The original 'Star Trek' is very much a product of the '60s - the new frontier, optimism, the idea of bringing democracy to the galaxy. It's still a timeless show, but it's very much a show made in the 1960s.
[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.
Well, there's much more time to do a weekly show, and much more coverage - as it turns out, it was all preparation for the stuff I'm doing now - but it was interesting to see how much time was spent on how little airtime, compared to knocking out a show a day on the soaps.
Beethoven had a great look. It was very much about the drama of appearance.
When I was younger, before I was married and had children, I really was nit-picky, a perfectionist. I was very much into different people's approval. I had too much time on my hands, I think.
There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday.
I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.
But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.
I value very much the time before the show, when there is nothing else but to concentrate on the show, and it's just purely design.
I went to California at a perfect time... when many of those people that I had admired so much in films were not working that much. They had free time on their hands to talk to... me, and they liked me because I knew so much about them.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
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