A Quote by Brandi Glanville

Sometimes on-camera friends don't translate into your real life, but not for me. — © Brandi Glanville
Sometimes on-camera friends don't translate into your real life, but not for me.
Sometimes plans don't translate smoothly from paper to real life.
Friends can be incredible sometimes, but have you ever had a friend that can be really annoying or really mean to you? Friends shouldn't stab you in the back. Have you ever wondered if your friend has ever said stuff about you to their other friends? It gets pretty intimidating sometimes to think about that. What I'm saying is to find your friends that are real. Don't keep the ones that are fake and are just friends with you for what you have. Be strong. Don't take no for an answer. Never back down. Stand up for what you believe in. Friends are great to have, but just be cautious. (.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
Usually horror in your personal life can translate into some good music. Sometimes. Sometimes it can be really maudlin and boring, and kind of personal.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.
Sometimes your personal life is much more significant. Sometimes your work life is more significant. Friends and family, or sometimes the general population, take precedence.
The less friendly your relationship is on camera, the more useful it is to be friends with them off camera.
You gotta have friends, and it's really hard to have friends that don't operate on the same schedule as you or do the same kind of things you do, because they don't understand it. And then you realize that your friends - your real-life friends - it's not that they become fanboys of you but they become more interested in what you're doing than how you're doing.
Sometimes I lie in bed trying to decide which of my friends I truly care about, and I always come to the same conclusion: none of them. I thought these were just my starter friends and the real ones would come along later. But no. These are my real friends.
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
To me, being popular means I've got more friends. You've got to watch who your friends are, if you want to get close to them, but I've got a lot of acquaintances. And then, you've got to be real careful who your friends are, because you never know why they're your friend.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.
In real life I'm shy sometimes, sometimes I'm romantic, sometimes I can be funny, so it's great to be doing different kinds of parts that expose your personality.
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