A Quote by Brandi Rhodes

I can identify with Riho because I was the talent that didn't speak the language in Japan. I'm very excited for the fans to kind of build a relationship with her because it's going to take work from both sides to understand one another.
When a movie is being made out of a book, there is a mixed reaction on the part of fans because they are both extremely excited and they are also terrified. 'They are going to take my story, and they are going to mess it up; they are going to ruin it; they're going to do this; they're going to do that.'
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I think actually what I'm going to do when I'm done and take my next vacation, is I'm going to go over and start unions in Japan. I'm going to unionize Japan. Because the way they work those crews is so criminal. There's no overtime, so they can just keep going.
I don't speak anything very well. The longer that you travel, you find out that you really don't even need to speak the language to get around and get things done, to live in those places. If you're somewhat resourceful and perceptive, you're pretty much going to know what's going on because human nature is human nature: they understand it, you understand it, and it works.
With Riho, she doesn't speak English. Is that something that's going to keep us from having her on our roster? No! She's incredible. She's got incredible heart, and very, very talented in that ring in many different ways.
Wrestling in Japan, obviously, the fans are a little bit different - very quiet, very respectful in New Japan - but here in the WWE, these fans are going nuts.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I'm not a political person. I don't understand politics, I don't understand the concept of two sides and I think that probably there's good on both sides, bad on both sides, and there's a middle ground, but it never seems to come to the middle ground and it's very frustrating watching it and seemingly we're not moving forward.
Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!
If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community - then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
I think both sides [China and United States] should work hard to build a new type of relationship between big powers. The two sides should cooperate with each other for a win-win result in order to benefit people from the two countries and the world.
We are all citizens of one world, we are all of one blood. To hate people because they were born in another country, because they speak a different language, or because they take a different view on this subject or that, is a great folly. Desist, I implore you, for we are all equally human. . . . Let us have but one end in view: the welfare of humanity.
This time I m not going to tell you a story. I'll just say that insanity is the inability to communicate your ideas. It's as if you were in a foreign country, able to see and understand everything that's going on around you but incapable of explaining what you need to know or of being helped, because you don't understand the language they speak there.
To reconcile conflicting parties, we must have the ability to understand the suffering of both sides. If we take sides, it is impossible to do the work of reconciliation. And humans want to take sides. That is why the situation gets worse and worse. Are there people who are still available to both sides? They need not do much. They need do only one thing: Go to one side and tell all about the suffering endured by the other side, and go to the other side and tell all about the suffering endured by this side. This is our chance for peace. But how many of us are able to do that?
Maintaining a relationship is easy when you both are in same profession because you understand the work pattern.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
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