A Quote by Brandi Rhodes
It's interesting to see how a lot of people don't see the other side of the coin. Since they haven't been there. Someone might suggest your character say something that they'd never say. It doesn't occur to them that there are people who think differently about something, from another perspective.
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I was first in Sydney in 1993, and have been a few times since then. For someone who didn't know Australia, it came as a shock how intelligent, interesting and funny the people were. If I lived there I might see it differently, but as a visitor it was a lot of fun.
If you see something, say something. This is more than a slogan. If you see someone turning toward violence, say something. Say something to law enforcement or to one of you in your community.
To see talented people in roles that others might not see them in, to see how they might fit in the puzzle of the cast, has always been something that I've been good at. I think that if you look at the successes of my films and start to peel them back, there's usually a really smart casting decision that has gone into that success.
Many times I can see a solution to something differently and quicker than other people. I see the end zone and say 'This is where I want to go.'
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
Who’s to say that it takes something like a drug to mess with your perception of reality? How did Hitler deceive a nation? How can one group of people look at the world and see one thing, and another see something completely different? One sees a town, another sees a desert. One sees beauty, another sees chaos.” The skin of this world,” he said quietly.
I see people crossing the road without looking, because the lights say that you can. They're acting as if there's never been a police chase, never been someone looking at their phone, or a drunk driver. When I see people like that I can see that they've not got survival skills. That's where me and a few other people differ.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
I'd say people are victims of circumstances and they're limited to the opportunities that they see. Even though there might be more opportunities, you might not see them. You might just think, "I don't have any options." You usually go to the dark side, in that situation.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
You can always look back and see where you might have done something differently, changed this or that. If you can learn something, fine, but never second-guess yourself. It's wasted effort.... Does worrying about it, complaining about it, change it? Nope, it just wastes your time. And if you complain about it to other people, you're also wasting their time. Nothing is gained by wasting all of that time.
And because there is something they can’t see people think it has to be special, because people always think there is something special about what they can’t see, like the dark side of the moon, or the other side of a black hole, or in the dark when they wake up at night and they’re scared.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
I can see that I give my audience something. I can see it in their eyes, and they say 'Thank you' a lot. You realize you are doing something that means something to people.
I’m not a sociopath or a freak (although I don’t suppose people who are sociopaths or freaks self-identify as such); I just don’t enjoy being with people. People, at least in my experience, rarely say anything interesting to each other. They always talk about their lives and they don’t have very interesting lives. So I get impatient. For some reason I think you should only say something if it’s interesting or absolutely has to be said.
I think the Democratic Party is firmly in the wilderness right now and doesn't know exactly what to do. We talk about trust. Fundamentally, the American people have lost a lot of trust in both parties, but in particular, my party. Growing trust is a very simple calculation: People want to know what your values are, and they watch your behaviors. If your behaviors align with your values, then they trust you. If you say I'm for the people, but we're just as bought off as the other party, or we say we're for fairness, but we gerrymander just like the other side, people see.
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