A Quote by Brandon Boyd
Being an artist for my well being and as a living, I live in a place of observance and interest in what I consider to be the most relevant questions.
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Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.
What you might consider a bad work can be of extreme interest to an artist in ways which are not about its being a good or bad.
I used to always throw in random questions. I'd have to ask about artist's single and their writing process, which I know is every artist's most-hated question, like, "Well what was ,your process?" And it's. like, "Well, I wrote this album." And then at the end I would throw in, like, "So, Seinfeld or Simpsons?" and they'd be so thrown, because everything else could be autopilot. All my greatest moments were from the most sporadic questions.
Being human means asking the questions of one's own being and living under the impact of the answers given to this question. And, conversely, being human means receiving answers to the questions of one's own being and asking questions under the impact of the answers.
I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles. So I went to the school and, being a smart cookie - as they called us in those days - I had a million questions. How did this place exist? How come I didn't know about it? Why are people living like this? Do they want to live like this?
To say that a being who is sentient has no interest in continuing to live is like saying that a being with eyes has no interest in continuing to see. Death—however “humane”—is a harm for humans and nonhumans alike.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
Living alone,' November whispered, 'is a skill, like running long distance or programming old computers. You have to know parameters, protocols. You have to learn them so well that they become like a language: to have music always so that the silence doesn't overwhelm you, to perform your work exquisitely well so that your time is filled. You have to allow yourself to open up until you are the exact size of the place you live, no more or else you get restless. No less, or else you drown. There are rules; there are ways of being and not being.
An economic policy which does not consider the well-being of all will not serve the purposes of peace and the growth of well-being among the people of all nations.
God wants believers to take an interest in the well-being of the society in which they live.
Naive optimism and pervasive pessimism are both to be avoided, therefore. It's not an easy balance to maintain, to be asked to work away in the Ninevehs of our lives without being so conscious of the coming cataclysm that we are not serious citizens of our communities and nations. By living and sharing the gospel of Jesus Christ, we are doing the most relevant thing we can do by way of helping. (There are civic and other chores to be done, of course.) Day in and day out, the gospel is the one thing that is most relevant, and we are to be of good cheer.
Modelling, it's being an artist as well. It's just being a silent artist. It takes a lot of self-control and a lot of discipline.
I consider Otto Rank to be one of the great spiritual giants of the twentieth century, a genius as a psychologist and a saint as a human being. Though vilified by his original community of Freudians, he never became bitter. He died a feminist and deeply committed to social justice, in 1939....His deep understanding of creativity makes him a mentor for all of us living in a postmodern world....I believe that Art and Artist, especially chapters 12 to 14, may well emerge as the most valuable psychoanalysis of the spiritual life in our time.
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
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