A Quote by Brandon Jay McLaren
I always prefer the character moments. For me, personally, whether I'm shooting the gun or not shooting the gun, I really don't care. I'm the guy who's like, "Whatever you want me to do." But, I really get excited about the character moments that are steeped in emotion when the stakes are high.
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I want to make activism a bigger part of my life, while hopefully maintaining the opportunity to help out causes that I really care about. And being an actor allows me to do that. Shooting a Cisco commercial allows me to do that. I mean, doing all these things allows me to talk about these issues. But don't think there aren't those moments where I'm like, "What am I doing? I have to quit my job and chain myself to a tree." Believe me, I have those moments.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
We just kind of wanted to play with these iconic moments of action. There's a really small one that always makes me laugh really hard, where there's a big shootout at the end, and the moment my gun runs out of bullets, I turn and there's just another gun sitting there, and I'm, like, oh, nice.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
If you get to the point in your career where you're running with a gun - I've yet to run with a gun. I've stood still with a gun, and I've walked with a gun, but I've never run with a gun. Running with a gun, to me, that's when you know you've really made it.
The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.
Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.
It takes a while to establish a character. Richard Boone once told me he didn't really get the character in 'Have Gun - Will Travel' until the 16th show. You just plant a seed, water it, let the sun shine on it, and hope it blooms.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
If I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
Moments of crisis, like the shooting in Newtown, tend to produce brief spikes of popular interest in gun control. My research on media attention suggests these spikes are extremely short-lived, and that they may be decreasing in intensity.
The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!
Some of the events in the Olympics don't make sense to me. I don't understand the connection to any reality... Like in the Winter Olympics they have that biathlon that combines cross-country skiing with shooting a gun. How many alpine snipers are into this? Ski, shoot a gun... ski, bang, bang, bang... It's like combining swimming and strangling a guy. Why don't we have that? That makes absolutely as much sense to me. Just put people in the pool at the end of each lane for the swimmers.
Rather than, as an actor, I want the audience to like me, I'm going to smile beautifully and I've got everybody's sympathy - what about showing the moments when somebody is unbelievably petty? Or really selfish? The faults, the little things, those are the things that interested me about playing the character.
A lot of people refer to power as shooting a loaded gun. When you have to shoot the gun, you've lost the power. Other people's knowledge of your gun should be enough.
Terrifying mass shooting and high-profile officer-involved incidents have dominated the national conversation on gun violence in recent years. But most deaths by gun are not headline-grabbing massacres. They`re more private, more intimate, and perhaps in that way, even more horrifying. Domestic violence, make no mistake, domestic violence is a gun issue.
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