A Quote by Brandon Sanderson
What did you put in the fire?" Kaladin said. "To make that special smoke?" "Nothing. It was just and ordinary fire." "But, I saw-" "What you saw belongs to you. A story doesn't live until it is imagined in someone's mind." "What does the story mean, then?" "It means what you want it to mean," Hoid said. "The purpose of a storyteller is not to tell you how to think , but to give you questions to think upon. Too often, we forget that.
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Who cares what the color means? How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it.
I think I connect to people who could be written off as wild or dark, or who are just full of fire and looking for a place to put that fire. It's an important lesson to learn, and it's something I did learn: you live on behalf of others and you're happier and you have purpose. And you have a great excuse to have all that fire.
What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
For if any man who never saw fire proved by satisfactory arguments that fire burns. His hearer's mind would never be satisfied, nor would he avoid the fire until he put his hand in it that he might learn by experiment what argument taught.
I knew you were a badass," continued Adrian. "But I didn't realize just how much until I saw you dropping guardians out there." "Does that mean you're going to be nicer to me?" I teased. "I'm already nice to you," he said loftily. "Do you know how badly I want a cigarette right now? But no. I manfully suffer through nicotine withdrawal—all for you.
The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.
In any case, fire burns; that's its nature, and you can't expect to change that. You can use it to cook your meat or to burn down your neighbor's house. And is the fire you use for cooking any different from the one you use for burning? And does that mean you should eat your supper raw?" Maddy shook her head, still puzzled. "So what you're saying is . . . I shouldn't play with fire," she said at last. Of course you should," said One-Eye gently. "But don't be surprised if the fire plays back.
Does the prospect of seeing the Great Commission of Christ fulfilled drive you day and night? If not, then I pray that the story of my life will light a fire in you. A fire that will change everything. A holy fire that will convince you that nothing is impossible with God.
I am first and foremost a storyteller; I want to tell a good story, and I want it to mean something - something that I think is important.
I really enjoyed Eddie Bracken. He told me a great story. He did The Odd Couple on Broadway, replacing Art Carney, and he said, "Art Carney did it for six months and I did it for three years, and I don't think anyone I've ever spoken to saw me. They all saw Art Carney."
I used to tell the story about as a young man in high school one of the professors came in and put a broad white sheet on the board with a dot in the right hand corner and said, "Boys, what do you see?" And we all shouted, a black dot. He stood back and said, "not a single one of you saw the broad white sheet, you all saw the black dot." He went on to tell us to focus on the broader picture, don't focus on the negative.
In the old days, people would gather around the fire, or they would gather at a tavern, and they'd tell a story. And then, maybe a week later, someone would tell the same story, but with a different twist on it. That's how folk takes evolved.
I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.
Tell me a story then...keep me occupied." "A story?...What makes you think I can tell a story?" "Insight," said the king, "Go on.
You know, 'Top Gun' was the movie I saw in high school that made me want to be a filmmaker. I remember very specifically coming out of the Century 21 Theater in Colorado from seeing it, and my friend saying, 'What did you think of the movie?' And I said, 'I think I know what I want to do for a living.' That's a true story.
I was doing a show at the Comedy Store which Eddie Izzard saw, and we chatted for a bit afterwards. I didn't really know he was; we just hung out as comedians together, and when he heard my story, he said, 'Why don't you tell that on stage?' I didn't really want to burden people with all that, but he said that I could have fun with it.
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