A Quote by Brandon Sanderson
This is going to take a while. I'm a fantasy author. We have trouble with the concept of brevity.
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While every new fantasy author is hailed as unique, new, and different, Brandon Sanderson's ELANTRIS does indeed provide an absorbing adventure in a unique, different, and well-thought-out fantasy world, with a few nifty twists as well.
Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.
Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
Brevity never fatigues; therefore, brevity is always a welcome guest.
If brevity is the soul of wit then brevity and levity are the whole of it.
Once the world has been created, the fantasy author still has to bring the story's characters to life and unfold a gripping plot. That's why good fantasy is such a hard act to bring off.
He who writes distichs, wishes, I suppose, to please by brevity. But, tell me, of what avail is their brevity, when there is a whose book full of them?
That was the trouble with being a writer, that was the main trouble—leisure time, excessive leisure time. You had to wait around for the buildup until you could write and while you were waiting you went crazy, and while you were going crazy you drank and the more you drank the crazier you got.
It's going to take a while because for the last 500 years patriarchal societies have been devoted to controlling reproduction and that means controlling women. So we got into this masculine/feminine, dominant/passive paradigm, and it's going to take a while to get out.
Aim for brevity while avoiding jargon.
Great art must proceed to precision and brevity. It presupposes the alert mind of an educated listener who, in a singleact of thinking, includes with every concept all associations pertaining to the complex.
As a young rookie NFL player, you go to the rookie symposium and the one thing they tell you is, "You guys know what the NFL stands for?" Everybody looks around like, "National Football League...?" The guy's like, "Nope - Not For Long." They tell you right there to get prepared for your second life. You take that in, and I've always been one to prepare early, to see ahead and anticipate and believe in great things happening, and they do. I'd already known that concept and appreciated that concept, but for me, I was always going to be here for a while. I just believed in that.
Children should not be coddled in their intellectual training any more than in their physical; and though the studies should be made interesting the interest should arise out of the studies themselves. We have bred a generation that cannot digest anything intellectual but tablets of peptonized food. One sees that in the popular papers with their brevity, still increasing in brevity as far as brevity can increase, and in the capacity for thought of our rulers.
Fantasy fiction is essentially about the concept of power; great fantasy fiction is about people who find it at great cost or lose it tragically; mediocre fantasy fiction is about people who have it and never lose it but simply wield it.
Oh, a trouble's a ton, or a trouble's an ounce Or a trouble is what you make it, And it isn't the fact that you're hurt that counts, But only how did you take it.
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