A Quote by Brandon Sanderson

Llarimar had told him to do his best. That sounded like an awful lot of work. Unfortunately, doing nothing was beginning to seem like even MORE work. — © Brandon Sanderson
Llarimar had told him to do his best. That sounded like an awful lot of work. Unfortunately, doing nothing was beginning to seem like even MORE work.
When Bernie Sanders came along, and I liked his tweets and I read more about him, researched him more, I decided I like him and his policy, even more than just I like another guy in the Democratic Party, I really believed in it. And when you believe in something, you get out and work for it.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
To those out of work, it may seem unfair for someone to complain that they aren't happy with the type of work they are doing, but the more we like our jobs, the better we do them. In the long run, this doesn't just make us happy - it makes businesses more successful and increases employment even further.
It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
I remember the days when a footballer who had an issue in his personal life may have been told to grow up and deal with it but in 2019, that approach won't work any more. A manager needs to make sure the problem is solved, as a player will not play at his best unless he is happy in his mind and in the environment he has around him.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.
I'm fine," I told him tersely. "Of course you are. You're one of the strongest people I know." It took me a second to process that, because he'd said it so casually. Like he was talking about the weather or what time it was. Only Pritkin didn't say things like that. His idea of a compliment was a nod and to tell me to do whatever it was I'd just done over again. Like that was usually possible. But that had sounded suspiciously like a compliment to me.
A plongeur is a slave, and a wasted slave, doing stupid and largely unnecessary work. He is kept at work, ultimately, because of a vague feeling that he would be dangerous if he had leisure. And educated people, who should be on his side, acquiesce in the process, because they know nothing about him and consequently are afraid of him.
It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life.
Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.
Maybe people have no idea how much work is behind a picture. It can seem very effortless but there is a lot of work. It’s exactly like doing ballet. It’s hours and hours but when you go onstage it’s just the pleasure of dancing.
Honestly, if anyone reads my work, they're doing me a favor, so they get to use whatever words they want to describe it. I can't control that, nor if they like the work, so best not to even try.
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