A Quote by Brandon Sanderson

If you were the wall, what would you rather be? Dreary and dull, or alive with paint?" "Walls can't think!" "That doesn't stop them from caring. — © Brandon Sanderson
If you were the wall, what would you rather be? Dreary and dull, or alive with paint?" "Walls can't think!" "That doesn't stop them from caring.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
David's mother would often tell him stories were alive. They weren't alive in the way people were alive,or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren't paying enough attention. Cats, meanwhile, were very good at pretending people didn't exist at all when it suited them.
I like all kinds of music. But I would rather people stop caring about lines.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
It's not accidental that products get worse over time; it's because companies stop paying attention to them. They stop caring as much about maintaining the same quality they did when they were just trying to fight for survival and no one would pay attention unless they had the best technology.
Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.
Isn't it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive--it's such an interesting world. It wouldn't be half so interesting if we know all about everything, would it? There'd be no scope for imagination then, would there?But am I talking too much? People are always telling me I do. Would you rather I didn't talk? If you say so I'll stop. I can STOP when I make up my mind to it, although it's difficult.
I always liked paintings to be walls rather than windows. When we see a painting on a wall, it's a window, so I often put my paintings in the middle of the space to make a wall.
Seek the ones who never stop caring, who break down your walls, and help you come back to yourself
Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.
Yes, Virginia, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no Virginias. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eternal light with which childhood fills the world would be extinguished.
So much of what passes for conversation today is degraded. It's either about one-upmanship, or dreary trivia. Even the cut and thrust of wit and bons mots is a form of bedazzlement designed to stop conversations dead rather than broaden them.
I had gone to no such place but to the smoke of cafes and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring.
The clean clear colours were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try - all low-toned and dreary with the tree besides the door.' In my next show, 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint. That was my only low-toned dismal-coloured painting.
I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.
If there were no mystery left to explore life would get rather dull, wouldn't it?
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