A Quote by Brandon Sanderson

It’s what happens when you shoot someone,” Wayne pointed out. “At least, usually someone has the good sense to get dead when you go to all the trouble to shoot them.
Like, if I'm assessing someone's game and they can't shoot, they can't shoot. And they know they can't shoot. It's not like I'm making fun of them. I just keep it real, man.
The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!
I love good TV shows, but it's not what I do. I kind of sculpt my films as I go along. And TV is all about writing, so you just shoot, shoot, shoot what's written.
You literally can shoot someone in the face on television and a 7-year-old can watch it. But you can't show the slight of a man's hip, because dear God, someone might think of sex. And while we all hope our kids grow up to have sex, we do not hope they grow up to shoot someone in the face.
I got the impression that instead of going out to shoot birds, I should go out and shoot the kids who shoot birds.
Yeah, I like that idea. Maybe he'll shoot at us again. I was hoping someone would shoot at me today. That was the first thing I said when I got up: Boy, I hope I get shot at today.
I'm trained to look for certain things... I shoot, I shoot, I shoot, and then I go find it in the ether.
When I photograph someone, I want to shoot the subject and get them out of my studio so I can play with the photos and do all the stuff I want.
I'll have that someday, thought Peter. Someone who'll kiss me good-bye at the door. Or maybe just someone to put a blindfold over my head before they shoot me. Depending on how things turn out.
A good attitude is really important. And a sense of optimism, someone who has ideas and isn't afraid to pitch them no matter what level she is. Someone who is proactive. Someone with efficiency and common sense. They don't always go hand-in-hand, common sense and, well, everything else.
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
Surely being in love doesn't cause you to lose your sense of good taste. If I ever buy a gown with sequins on it, someone just shoot me.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.
I can't tell you how many reshoots I've done from, you know, famous photographers who really love just to shoot models and failed at shooting a Patti Labelle or someone like that because Patti Labelle didn't turn them on, so you have to shoot what you care about.
You know, differentiating between training and matches. If they are all matches it becomes very natural to shoot them, although Dan thinks I should shoot more of them. I think I shoot plenty of them.
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