A Quote by Brandon Stanton
In an age of iPhones and Playstations, it's great to see that somebody's still rocking the bus-on-a-string.
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Americans have a taste for…rocking-chairs. A flippant critic might suggest that they select rocking-chairs so that, even when they are sitting down, they need not be sitting still. Something of this restlessness in the race may really be involved in the matter; but I think the deeper significance of the rocking-chair may still be found in the deeper symbolism of the rocking-horse. I think there is behind all this fresh and facile use of wood a certain spirit that is childish in the good sense of the word; something that is innocent, and easily pleased.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
This is what kids want to see. You see these Playstations, they scoring 50 and 60 with one player, that's what they want to see on TV and I don't go with that.
It's alright, just wait and see, your string of lights is still bright to me. Who you are is not where you've been. You're still an innocent. It's okay life is a tough crowd, 32 is still growing up now.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.
You meet somebody on a bus or something, and they say, 'Thank you for the World Cup; it was so good to see,' and stuff like this - it's funny.
Back when I was in high school, I came out onstage with my guitar and had four guys playing behind me. We were just playing a dance, but I was standing in front of an audience rocking out. I'm still rocking out like when I was a kid. I haven't changed.
I'm a doodler. It was my first job as a boy, and I still do it. At night I keep a block of paper and a pencil with a huge piece of string next to me. When I have an idea, I grab the string and just doodle.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
As soon as you hit 40, you have to defend your right to be that great age,' and still working in the media. But why should I defend my great age?
It's great if you can afford to carry a string section on the road with you, but most people are used to the idea of just a keyboard player creating those string sounds.
When you reach a certain age, and people see you on television, they look at you and think, 'Wow! Everything must be great!' Well, everything isn't always great. You can be hailed on the street corner, but you still have to go home and take out the garbage.
Much of life for many people, even in the heart of the First World, still consists of waiting in a bus shelter with your shopping for a bus that never comes.
Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
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