A Quote by Brandon Stanton
Whenever you get a large body of work like 'Humans of New York,' a natural pathway becomes to put it between two covers. I wanted this to be a very nice keepsake. A lot of work went into it, and a lot of fans are attached to it.
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I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
I did a lot of TV work for more than 30 years in New York and L.A., but I would get on the stage whenever I could.
For a lot of women who don't go to college, or for a lot of women who aren't in New York or D.C. or someplace where there's like a large feminist organization they can get involved in, they may be doing feminist work, right, like locally or with a grassroots organization or in their own lives, but if they don't have that support system and if they don't have that availability to feminist language, I think we're missing out on something.
Anytime you're rewarded for the success you have, you're going to be happy because you put the body of work in. A lot of hard work. A lot of training. A lot of things you do behind the scenes.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it.
It's definitely nice to come and say, 'Yeah, I put in a lot of work and I worked on the right stuff and it is working,' as opposed to saying 'I put in a lot of work and I don't know if it's working or not.'
It's tough, you know, when you're thin and you don't put on muscle mass that easily. What you've got to remember is that you really have to eat a lot and you have to work your body out with basic exercises like deadlifts and squats and the bench press - the workouts that are basic in form but work a large group of muscles.
It's very, very extreme how much food I need to put in to my body. It's a lot of work. More work than people realise.
It's like Hollywood movie stars - you can say they lead a glamourous life, but it's a lot of work. They're on set for 16 hours a day, then they go home and they still study. They have a nice paycheque at the end, but they do work a lot. WWE is very much like that.
For a writer, New York works well. Literary work is very elitist. I worked two hours a day, maximum, and the time after that was very agreeable. I walked a lot with pleasure. Those two hours augmented the day. I wrote more here than in Paris, an entire chapter of a new novel.
People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.
I work a lot and I like to get out and work but the work I do to make the other work work I'm not very good at.
I blame my work for a lot of things. I thank my work for a lot of things, too, but the trouble with being so passionately involved in work is that it becomes like a lover, like your partner, because it nourishes you.
I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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