A Quote by Brandon Stanton
At some point during my travels, I had a slight change of focus which would end up defining the rest of my career. I began taking pictures of people. In addition to all the buildings, street signs and fire hydrants, I started photographing some of the interesting humans that passed by me on the street.
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I like hiding somewhere, like, say on a bus street in a doorway, and taking pictures without people knowing - which sounds really creepy....You get some of the most interesting pictures because people are walking past not realising you're there.
Well I've seen travel in many waysI've traveled in cars and old subwaysBut in Birmingham some people choseTo fly down the street from a fire hose.Doin' some hard travelin'...from hydrants of plenty.
I started my career by becoming a stalker, watching women in the street, the way they greet each other. I thought if I could capture some of that expression, that depth of emotion, it will make me interesting to watch as an actor.
People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.
It was a June day when I began my career as a national journalist. I stepped into the Detroit Bureau of the 'Wall Street Journal' and started on what would be a long, varied, rewarding career. I was 23 years old, and the year was 1970.
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
Murphy had found a spot on the street, which made me wonder if she didn't have some kind of magical talent after all. Only some kind of precognitive ESP could have gotten us a parking space on the street, in the shadow of a building, with both of us in sight of the apartment building's entrance.
If you make a street poster and literally paste it on the street in a city like New York, where it's such a mixed population and so densely populated, and it stays up for a full week and doesn't get covered up by something else or pulled down, you will have fifty thousand people who will have seen it. It will be the poorest of the poor - some homeless man who lives on the street will see it and probably appreciate it, or some businessman or landlord will see it. Everyone will see it. And whether or not they even realize that they saw it, on some level it's affecting their consciousness.
I have had the occasion of coming into money and spending some recklessly, like on a purse. At this point, shopping and the spending of money on things like Botox gives me the rush I used to get copping drugs on the street. Or, making other people cop drugs for me on the street. I didn't like to do that. I wanted to protect my reputation.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Before 'Deadpool,' if I was walking on the street, some people would recognize for some project, and another person for a different project. But now, every time I'm walking down the street, people recognize me as the actor from 'Deadpool.'
Our street corners keep secrets, and our road signs only suggest, never deciding for us, never knowing if the destination to which they lead, is where we truely belong.
Life's greatest tragedy is not that it will some day end, but that most of us just live to follow directions, and many times we end up totally lost.
Let's talk about why, in the 1990s, Wall Street got deregulated. Did it have anything to do with the fact that Wall Street provided - spent billions of dollars on lobbying and campaign contributions? Well, some people might think, yeah, that had some influence.
If I'm walking down the street or taking my kids trick-or-treating, and I see some young girls or boys who are dressed up like Black Lightning, that, to me, would be success.
It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.
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