A Quote by Brandon Stanton

The only things I make money on are speeches and books. — © Brandon Stanton
The only things I make money on are speeches and books.
For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.
The problem with people who live in a world of speeches and books and theories is they don't know how to fix things in the real world when they go wrong. They feign ignorance, blame others, and make another eloquent speech.
Part of the problem I find with money books is that there's this whole set of money books that make you feel almost guilty to spend a dollar.
It's kinda crazy to say, but the way Jay [Duplass] and I stay afloat, because we don't make particularly commercial fare that makes a lot of money, is that we make things cheaply and we make things small. We would kind of be afraid to go make a $100 million movie because you have to do certain things to it to have it make its money back.
As a child, I wanted only two things - to be left alone to read my library books, and to get away from my provincial hometown and go to London to be a writer. And I always knew that when I got there, I wanted to make loads of money.
I don't write the books. God writes the books and delivers the speeches.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
This is an extremely foolish and stupid and idiotic kind of attitude - to expect theatres to make money. Do the public schools make money? Do libraries make money? Does the zoo make money? D o the sewers make money? It's a community service.
People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.
When it comes to money, you can't win. If you focus on making it, you're materialistic. If you try to but don't make any, you're a loser. If you make a lot and keep it, you're a miser. If you make it and spend it, you're a spendthrift. If you don't care about making it, you're unambitious. If you make a lot and still have it when you die, you're a fool-for trying to take it with you. The only way to really win with money is to hold it loosely-and be generous with it to accomplish things of value.
I realized, "Oh my god, this is an enormous play. And it's almost all me. Big. big chunks of speeches, speeches, speeches." And I started to panic.
Normally I would not recommend a book that tells you how to make money in the stock market. Most of these books are aimed at gullible folk, and they usually make much more money for their authors than they do for the investing public.
Solid scriptural theology should be valued in the church. Books in which Scripture is reverently regarded as the only rule of faith and practice-- books in which Christ and the Holy Ghost have their rightful office-- books in which justification, and sanctification, and regeneration, and faith, and grace, and holiness are clearly, distinctly, and accurately delineated and exhibited, these are the only books which do real good. Few things need reviving more than a taste for such books as these among readers.
Money writes books, money sells them. Give me not righteousness, O Lord, give me money, only money.
I make money using my brains and lose money listening to my heart. But in the long run my books balance pretty well.
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
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