A Quote by Brandon Stanton

'Humans of New York' did not result from a flash on inspiration. It grew from five years of experimenting, tinkering, and messing up. — © Brandon Stanton
'Humans of New York' did not result from a flash on inspiration. It grew from five years of experimenting, tinkering, and messing up.
I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it.
Yeah, I was only in New York from the age of six months until five years old. But my very first memories are all of New York. I remember my first rainbow on a beach in New York. I remember jumping on a bed in New York.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
I grew up in New York, and I grew up with a mother who was an arts lover herself, and I went to these New York City public schools with these great arts education programs, so it was something that I was lucky enough to be able to be exposed to very early.
Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
My dad was going to graduate school at Columbia, in New York, so we moved there. After he graduated, we ended up settling in New York, so I grew up there.
I kind of grew up on the East Coast, lived in New York for a while, then moved to L.A. So I'm not a New Yorker at all, but I'm much happier in New York; I've always liked it better.
I grew up on 135th Street. I grew up on the poor side of New York. I grew up in Harlem.
I grew up on 'Lost.' I was 17 when I started, and I did it for four or five years, on and off.
My dad grew up in Washington Heights. I grew up in New York in Manhattan. So we're purebred New Yorkers.
I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.
But if you're from New York and you grew up here, you have it built into you - what a slice of pizza is supposed to be - in a way that people from outside of New York don't.
I'm one with New York, and New York is one with me. I grew up there; there's no escaping it. We're like Siamese twins, if you separate us, I'll die.
My feeling about growing up in New Jersey was, 'How come I'm not in New York?' That being said, I'm older and I have a better worldview now, and so I think I grew up in an incredibly privileged position. The town I grew up in is beautiful. I got a great education, and I'm very grateful for it.
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