A Quote by Brandon Stanton
'Humans of New York' wasn't the result of a fully finished idea that I thought of and then executed; it was an evolution. There were hundreds of tiny evolutions that came from me loving photography.
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I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
I actually like south Florida. I never lived in a more interesting place than this. I've never met a wider range of people. I guess when I came here I thought there were Cubans and then there were people from New York and that was Miami. Now I know that it's Cubans, people from New York, and some people from New Jersey.
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
I went to Europe in '52 or '53, and when I came back, I stopped in New York. I remember looking out of a window on a glorious October morning and there was New York. And I thought, 'I'm coming here. This is for me.'
When I first started 'Humans of New York,' I was writing short stories. There were about 50 of them. And, you know, they were a great part of the site, but the photography just started growing so fast that I didn't have time to make them anymore.
We started off with physical evolution and got our form. Then we somehow developed language, which meant cultural evolution could race so we could change our behavior really quickly instead of over hundreds and hundreds of years. And then comes moral evolution, which means we're not frightfully far along with people. And maybe we end up with a spiritual evolution, which is this connectedness with the rest of the life forms on the planet.
I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it.
I thought New York had it coming, that it needed a kick in the balls. When I returned to New York, I wanted to get even. Now I had a weapon, photography.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
The idea for me came when I was watching a 60 Minutes segment about resveratrol, the chemical in red wine that lets you live longer, supposedly. And they were like, "Who knows, maybe one day it will help to cure aging." And I thought, "Well, if they did that, we'd all kill each other." And then I laughed, and then I thought about how precisely that would happen. That's how the book came to be.
I was known for a lot of dunks, but my first big dunk really came here in New York. I had some others back then, but my first major dunk came against the Knicks and Kenny 'Sky' Walker. So, you know, New York has a lot of meaning to me.
My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
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