A Quote by Brandon Victor Dixon
I was a fan of 'Power' before I was working on the show, so I'm excited by every script that comes into my hands.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first.
I wake up to an email from the writers with the new script, and I always get so excited because I know it'll be better all-around than the script from the week before.
Everyone in show business has had the experience of the fan who is so excited at recognizing their favorite star, they say, 'Oh my gosh, you're my biggest fan!'
Everyone in show business has had the experience of the fan who is so excited at recognizing their favorite star, they say, 'Oh my gosh, you're my biggest fan!
Thinking back to my time in the U.K., before the election and then working in the British government, the thing that has really driven me is this idea of giving power to people and taking power out of the hands of those who try and grab it all for themselves.
Every sport is trying to unlock the new consumption levels and fan interest by a younger demographic. Of course we love our core fan and everyone does, but every sport is thinking carefully about how to reach the millennial fan to get them excited about their sport.
Sometimes I will read the whole script just to see what my character is doing, but I won't touch a script that I'm not in because it's just so much more exciting as a fan to me to watch the show as it's happening.
Man, I had a good time working on 'Grown Ups 2.' First of all, when I read the script, it is hands-down the funniest script I've ever read. It's laugh-out-loud funny.
Every time I meet Rahman sir, it's a fan moment for me. I don't take the fact that I am working with him lightly. I get excited every time I see and work with him. But I don't embarrass him.
'The Walking Dead' was my favorite show before I even auditioned for it. That's every actor's dream, to be on a show that they're a fan of. It's just dark, and as a comedian, I'm drawn to dark things.
Every time I hear about a new show, and I see a show that is being created that is nothing like I've ever thought about, I just get so excited about that expansion. Because I started working when 'L.A. Law' was on. It was lawyers and cops.
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
When I first heard the 'Urumi' script, I was surprised, shocked, and excited. It was a strong script with a reference to the past. It had fact mixed with fiction. To incorporate facts into a film and introduce fictional characters was interesting. I loved the script.
I definitely have to know every detail of a script and analyse its potential before I think further because if the director is the captain, then the script is the ship.
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