A Quote by Brandy Norwood

I'm a little bit afraid to give my heart away right now. It's very scary. I'm open to it, but I just want to make sure that I'm taking my time. — © Brandy Norwood
I'm a little bit afraid to give my heart away right now. It's very scary. I'm open to it, but I just want to make sure that I'm taking my time.
Football has always been in my blood. It's more than just an occupation, but as you get a little bit older and wiser, you want to be able to pick and choose and make sure you get the right club at the right time.
When something is so hot, I don't want to just jump on it right away. I want to take it home and make sure I give it my best shot.
I'm very self-deprecating, so I'm not afraid to make jokes at my own expense, and I've just found that makes people a little more comfortable and can open the door for people to feel a little bit more understanding and accepting of where you're coming from.
Every time you have sex, you give away a little piece of your heart, and you give that away too many times and there's just nothing left and you've given away the most important part of yourself.
At any appearance, I make sure that before the person takes a pic and runs away, that I make contact. All I can do is give that little bit of me, the kickback is miraculous.
If you want to do a movie about aliens coming down to Earth nowadays, you need to do it with a smile. When Tim Burton did Mars Attacks, he tried to make it a little bit kitschy, because it's not scary for people anymore. It's not scary that birds will attack you anymore, but I'm sure it was when Alfred Hitchcock made it. And it still is when you watch it.
I hear an album so many times during the course of making it that when I've just finished it, I don't want to hear it again. After you've taken a little bit of time away from it, you can come back to it, which can be scary. I'm happy with 'Sonik Kicks,' man.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young sons become men.
I want to be here for a long time, so I am going to do everything I have to do to be here. And I want to walk my daughter down the aisle and give her away to somebody some day. I want to make sure I am still here to make sure my two young [sons] become men.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
And also, folks live in a regular world, so when they come to our show [Aladdin], we want to take that away from them for a little bit. Just give them two hours to make up for the train that didn't come on time or the terrible news you get from TV.
I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
Right now I'm not fitting into the coach's plans and so I just want to make sure I can do the best I can and improve myself and make sure I get picked.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
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