A Quote by Branford Marsalis

That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you. — © Branford Marsalis
That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you.
Sometimes when I do a joke and it doesn't get a lot of laughs, it kind of feels like I'm doing jazz. That's kinda cool because jazz is cool, but sometimes jazz sucks ... Maybe I'm the Kenny G of comedy.
I find that predicting the course of our lives is like predicting the weather. You might be able to predict your future in the short term, but the longer you look ahead, the less likely you are to be correct.
Sometimes you have intuitive insight about how you think things are going to be, and you write that. Other times you fantasize completely, which has nothing to do with predicting the future.
The strange thing about Africa is how past, present and future come together in a kind of rough jazz, if you like.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I don't think I've ever been true to jazz. There's always a kind of jazz element to what I do. There are a very few genres that I haven't tried out, really, in what I've been doing. As a jazz musician, you can kind of mess about with things with a certain level of musicianship, which helps.
I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.
Texans deserve better than failed leaders who dole out favors to friends and cronies behind closed doors. It's time for a governor who believes that you don't have to buy a place in Texas' future. It's time for a governor who believes that the future of Texas belongs to all of us.
I started out trying to play more straight-ahead jazz. I went to Berklee in the early '60s when it was a brand new school, and so there was no fusion music. There wasn't a lot of mixing together of different kinds of music at that time, so jazz was kind of pure jazz.
We're emphasizing the knowable by predicting how certain people and companies will swim against the current. We're not predicting the fluctuation in the current.
I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
I won't say 'See you tomorrow' because that would be like predicting the future, and I'm pretty sure I can't do that.
My specific goal is to revolutionize the future of the species. Mathematics is just another way of predicting the future.
I began to be involved (with exercise). It was a little bit like sex sometimes - you know how sometimes you're kind of disinterested, kind of uninvolved, and slowly you begin to become interested?
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