A Quote by Brantley Gilbert
There's a song called 'My Faith' that's kind of my spiritual song on my record. It's a little bit of my softer side of me, comin' out of left field a little bit.
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Songs like 'Everything To Help You Sleep' or 'Claws in Your Back' took a little bit more grappling with the actual poetry for me to feel comfortable with the song. And there's a little bit more song crafting going on, and I had a specific idea in mind of the imagery I wanted to evoke.
And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
My favorite kind of song is the most beautiful song that you love so much and it's so good it makes you want to cry a little bit. Any jam can sound like that on a certain day.
For all of my life, I've had this one song in my head, and I'm still trying to write it. I'm still trying to get that song out. I'm getting closer, every record I get a little bit closer to saying it the way I want to say it.
There is a little bit of a head vs. heart kind of battle that happens sometimes with the song. There's the goose bump thing, where the melody or whatever it is just gets you and you don't know why. Sometimes, it's in a genre that you didn't think you liked and, all of a sudden, the song hits you and you just say, wow, I feel the hairs on the back of my neck. I love this song.
I listen to certain opinions because those are important to me. I am a Leo, so I very much have my feet on the ground, and I know what I want, but there is also a side of me which is a little softer, still a little bit of a boy who has not grown up and who listens a lot.
And I remember that about three years before that, her first record had come out. And I just remember really liking this one song off it called "In My Bed" and being a little bit enamored. This, you know, this young kind of Jewish girl from North London, you know, I have the same thing - from a Jewish family from North London - with this incredible voice.
I just like to work with other people, and I like things that are kind of a little bit bigger than that. I don't know. I just feel like a solo record just kind of gives me the willies a little bit.
I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
When I was a little bit younger The strain I was under could make me cry. Now I'm a little bit older, A little bit bolder, Never so shy
Cigarettes and chocolate milk These are just a couple of my cravings Everything it seems I like's a little bit stronger A little bit thicker A little bit harmful for me.
If you're making something tangible, whether it's clothing, a song, a piece of art... when you create something that's outside of yourself you take a bit of the pain and it's released, you let it out a little bit. That's my Oprah Winfrey moment.
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
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