A Quote by Brantley Gilbert

I've been asked a million times to move to Nashville, but I just can't seem to do it. — © Brantley Gilbert
I've been asked a million times to move to Nashville, but I just can't seem to do it.
And that because the moving parts are a million times smaller than the ones we're familiar with, they move a million times faster, just as a smaller tuning fork produces a higher pitch than a large one.
The million, million, million ... to one chance happens once in a million, million, million ... times no matter how surprised we may be that it results in us.
I love Nashville. I've been here so many times... oh man, I would stay here for a year if I could. It's just so much fun.
I knew I would always be an artist, but when you move to Nashville, this is a writer's town. I moved here to focus on that and started pitching demos and immediately was asked to be an artist.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
Yazidis are facing the worst genocide of our times. They have been reduced from 23 million to 1 million.
I was interviewed for a Grammy television show, and they asked me about Nashville, and I talked for three minutes and when I finished, I was teared up. The whole room was crying. Nashville has given me a home, where I never had a home before.
I just got asked by another journalist 'Are you a feminist?' and I was just like... Is there a strange thing at the moment where you have to come out as a feminist? I've been asked if I'm a feminist so many times recently, and I'm just like 'Yes, yes, for God's sake, yes! Is there something that I give off that says I'm not?'
... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.
Recording in Nashville was absolutely essential to get the sound, the musicians, the atmosphere, the warmth... There are just cult places like that in the world, like Chicago for the blues or New York for jazz. Nothing sounds the same in Nashville as it does elsewhere. Nashville is the Mecca of country music and everyone knows it.
I want people to see a real person on the ice. I want to seem tangible, hard-working, passionate about my skating, not just going out and doing something I've rehearsed a million times.
I may yet move [from Nashville], and where would I move if not Texas or New Mexico? I couldn't afford a home in California. I need to travel out of there occasionally.
Nashville is only a couple of hours from New York, and people just move at a slower pace there - and they don't care who you are or what you do.
At different times in life, I've felt like it's time to say goodbye from some form of myself that's been hanging around for a while - you just feel this urge to move on, like a herd of antelope. They're just standing there in a field eating grass. You feel like that as a person sometimes. Where's it's just time to move on.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
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