A Quote by Brantley Gilbert

I don't write about anything I haven't been through. — © Brantley Gilbert
I don't write about anything I haven't been through.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
More than anything, that's been the thread through my life - the desire to write, the impulse to write. I mean, it's taken me other places, but it was the impulse to write that led me to singing.
More than anything that's been the thread through my life - the desire to write, the impulse to write. I mean, it's taken me other places, but it was the impulse to write that led me to singing.
It is one thing to write as poet and another to write as a historian: the poet can recount or sing about things not as they were, but as they should have been, and the historian must write about them not as they should have been, but as they were, without adding or subtracting anything from the truth.
I don't write anything that I hadn't experienced or hadn't been through.
I can’t talk about anything or write about anything if I don’t understand it. So a lot of the stuff that I go through and a lot of the time that I spend is understanding.
I can't talk about anything or write about anything if I don't understand it. So a lot of the stuff that I go through and a lot of the time that I spend is understanding.
There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
I believe writers should be able to write about anything - anything - but there is also a sense in which your lived experience shapes what you write and what you don't write.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it
Then somebody suggested I should write about the war, and I said I didn't know anything about the war. I did not understand anything about it. I didn't see how I could write it.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
The one thing emphasized in any creative writing course is 'write what you know,' and that automatically drives a wooden stake through the heart of imagination. If they really understood the mysterious process of creating fiction, they would say, 'You can write about anything you can imagine.'
I definitely use life experiences. For me, it's extremely hard to write about something I don't know anything about. If I've never been angry, then I can't write about being angry. We're human beings so we all have emotions. To just have that knowledge, it definitely helps me out as a singer songwriter.
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