A Quote by Brantt Myhres
Basically, I don't like anybody.
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You know what a cubicle basically says? It basically says, like, 'You know what? We don't think you're smart enough for an office, but we don't want you to look at anybody.
I was was never really exposed to anybody who wasn't just like me until, basically, I went to college.
I wasn't trying to sound like anybody else. Basically, I was just experimenting all over the place.
I think, basically, if you talk to anybody, you can gauge an idea of what it's like to feel deceived. You don't have to have run into a con artist to feel like you've been deceived by someone.
Anybody who follows me on Twitter or Facebook knows that I'm super into fantasy sports. I like to make money on my sports knowledge basically.
What has happened to protesters in the past was that, basically, the government in 2012 put an end to a series of mass protests by changing laws, by making it possible to arrest anybody for protests, and by making basically a show of imprisoning not just protest leaders, and not specifically protest leaders, but activists, rank-and-file protest participants. That gets across the idea that anybody who joins a protest without being an organizer, without being a visible leader, risks arrest, and not risks just arrest, but years in a Russian jail.
I'm basically a very happy person and I don't have to be anybody else.
Everything I do is intended to make people laugh and think. I just think something is funny, it's not hurting anybody, not stabbing anybody, not shooting anybody, not making anybody watch me perform. There are thousands of comedians, don't come see me because it's not like I hide it.
When, you know, when Nic became addicted, I was completely uneducated, and basically everything I assumed at the time turned out to be wrong. I guess the main thing is that I was so blindsided, that I had this idea of, you know, what an addict looks like, and it didn't look like Nic. And I realized that, you know, anybody can become addicted.
On screen, everyone stares at your face, but on stage, you can basically play anybody.
Every interview I do, it's basically 'how did he do it,' and I owe it all to my representation, and my manager is basically like my mother, she's so picky.
it's just that in C++ and the like, you don't trust anybody, and in CLOS you basically trust everybody. The practical result is that thieves and bums use C++ and nice people use CLOS.
The invention of Instagram and Twitter has made, like, a big difference. Because you can just talk to anybody. And find anybody, it feels like.
On the Internet, there are an unlimited number of competitors. Anybody with a Flip camera is your competition. What makes it even worse is that YouTube is willing to subsidize the cost of your bandwidth. So anybody can create and distribute for free basically, but the real cost is marketing. And that's always the big cost - how do you stand out and what's the cost of standing out? And there's no limit to that cost.
When you set out to really entertain adults as well as kids, your audience is basically anybody who is breathing.
I feel like I'm always having to justify why I haven't kept in touch with anyone from the old days in Stoke-on-Trent, but I'm like that with anybody. I don't let anybody in. I just rely on myself.
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