A Quote by Brassai

For me the criterion of a good photograph is that it is unforgettable. — © Brassai
For me the criterion of a good photograph is that it is unforgettable.
Unforgettable, that's what you are Unforgettable though near or far Like a song of love that clings to me How the thought of you does things to me Never before has someone been more Unforgettable in every way And forever more, that's how you'll stay That's why, darling, it's incredible That someone so unforgettable Thinks that I am unforgettable too
We used to have just one criterion and that was profit, and then another criterion was added - social welfare. Now we have to add the third important criterion, and that is nature and the environment.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
There is a criterion by which you can judge whether the thoughts you are thinking and the things you are doing are right for you. The criterion is: Have they brought you inner peace?
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
The good photograph is not the object, the consequences of the photograph are the objects.
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
One thing that makes the adventure of working in our field particularly rewarding, especially in attempting to improve the theory, is that... a chief criterion for the selection of a correct hypothesis... seems to be the criterion of beauty, simplicity, or elegance.
I do not photograph for ulterior purposes. I photograph for the thing itself - for the photograph - without consideration of how it may be used.
Faith in reason as a prime motor is no longer the criterion of the sound mind, any more than faith in the Bible is the criterion of righteous intention.
Whatever mitigates the woes, or increases the happiness of others, is a just criterion of goodness; and whatever injures society at large, or any individual in it, is a criterion of iniquity.
If what I see in my mind excites me, there is a good chance it will make a good photograph.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
I never look for a photograph. The photograph finds me and says, I'm here! and I say, Yes, I see you. I hear you.
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
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