A Quote by Brea Grant
I ended up on 'Heroes' because I auditioned for the part like everybody else, but the writers were writing the role of Daphne, which was originally called Joy.
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The New York theater community didn't like being invaded by reality stars - they still don't - but I got in there and auditioned just like everybody else. They hired me for 'Hairspray' to help sell tickets for a few weeks, but I ended up being there much longer than originally planned and started to carve a niche for myself.
When I originally auditioned for 'Hereditary,' I didn't think I'd get it because everyone there was, like, three years younger than me and had red hair - it was a very odd thing. When I ended up getting it, I was really excited because it was on my bucket list to be in a horror film.
I would like to be called an inspiration to people, not a role model - because I make mistakes like everybody else. When I'm offstage, I'm just like everybody else.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
Roxanne came along in '86, when I was doing a lot of stand-up. I auditioned for the movie, and of course I was a huge Steve Martin fan, so I really hoped I would get this part. I don't think there was any part in particular that I auditioned for. I just went in and talked with them. There were so many parts in there, and so many comedians ended up getting in that movie, playing different firemen and townspeople.
My first taste of theater was my middle school play. We did 'The Jungle Book.' I auditioned for Mowgli, which I didn't get. I ended up playing a part as one of the monkeys.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I think the Oscar So White campaign really sparked ... Because you didn't want to be the Oscars, so everybody in Hollywood was like, well, before the heat comes down. The Golden Globes diversified. Just everybody ended up diversifying as far as handing out awards to more diverse folks in Hollywood because at the end of the day, it doesn't matter what your race is. If you're waking up every day and you're doing the work, you deserve an opportunity to be awarded like everybody else.
I auditioned for 'Mad Men.' I auditioned for 'Top of the Lake.' I obviously auditioned for 'West Wing,' so I still get excited when I get offered stuff. Like, a part of me thinks, 'They think I can do it! That's awesome!' And that's a part of me I have to squash; otherwise, I would do everything just because people gave it to me.
I'm a huge fan of Zach's [Galifianakis] and I auditioned Zach a million years ago on a movie called Duplex which I was fired from. But Zach came in - It was like 2000, maybe - as a buddy stand-up that people were starting to notice and there was something about him I loved. He wasn't quite right for the part in [Keeping Up with the Joneses] and I got fired anyway, so who cares? But I always wanted to work with Zach.
We were growing up in West Virginia. Everybody was poor there in the southern part of the state. It was like growing up in the Great Depression from the stories I hear people tell. Everybody was poor and so we didn't know that we were any different from anybody else.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
We were growing up in West Virginia. Everybody was poor there in the southern part of the state. It was like growing up in the Great Depression from the stories I hear people tell. Everybody was poor and so we didnt know that we were any different from anybody else.
Fernanda Andrade and Daphne Zuniga are two beautiful, inspiring women I met and became very close with while living in L.A. Daphne's father is from Central America, and Fernanda is originally from Brazil.
I auditioned 5-6 times for 'Dangal.' I was just waiting for the final call, as there were about 15-16 girls who auditioned for the role.
My literary heroes were mostly women writers and thinkers - Joy Williams, Joan Didion, Anne Sexton, June Jordan, Sarah Schulman, Audre Lorde, Cherrie Moraga, Christa Wolf - and much of this writing was political as well as literary.
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