A Quote by Brea Grant
I was once doing an improv show and it was my turn to jump on stage and I fell on my face. It's a really terrible way to start a show.
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You don't want to jump in on your first day on a show and start improv-ing and changing the show.
But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.
When you're on stage performing stand-up, things only happen one time. I've done bits where I improv a joke, and people are dying. The next show, I try to repeat it, I can't do it. Because with the first audience that was our moment. It can't happen the same way again. We were all there: a certain type of people were at that show and we all got it.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
You become a writer on a television show, and you see yourself doing bigger and better things, you don't wait till they tell you, "Here's the way to do bigger and better things," you start writing. You start writing that material that you might be doing off to the side. Nobody's going to be paying you for that, but it could turn into something big.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
Improv is really fun but it's a lot harder to show people your work if they don't come to your show. Something about the energy doesn't transfer on tape.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
At the end of Season 1 of 'Cheers', it was the lowest rated show in all of network television... So we turn to 'Bill Cosby'; when he came to Thursday night, he just exploded. And once the audience was there, we said, 'Hey, by the way, we also have this other great show. It's called 'Cheers'.'
The show became popular as aspecialthing became popular. And Sasquatch, the guy who runs that site, started coming to every show and reviewing it. And when people start talking about the reviews from the stage. That to me is really self indulgent and we tried to put a caper on that.
It's easy to show terrible people's behavior on screen, and we all just kind of nod and go, 'Isn't that terrible.' It's more interesting when you can show terrible behavior in the interest of something good.
When you're guest-starring on another show, it really requires you to jump through hoops in a way, because you're servicing the stories of the main characters. You have to be able to portray a lot of different elements. You show up and get on board and get on their journey; you have to be flexible as to what they need for the role.
With a lot of shows, what you'll see happen is they start off really well, and they're very original, but they become sort of a version of themselves. They stand outside the show... they become a cliche of the show they once were. That's the whole 'jumping the shark' thing.
When I start to think about all the things, I'm doing sometimes I just have to thank the man upstairs. Because I'm doing the morning show here in Chicago 5 days a week, and I have the syndicated radio show that's been going on now for several years. In addition we are in the midst of taping 13 episodes of a television show-The Legends of Jazz: The Masters of jazz on PBS-TV.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
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