A Quote by Bree Runway

I just feel like you've got to leave the viewer wanting more, and that's what those kinds of videos from the early 2000s made me want. — © Bree Runway
I just feel like you've got to leave the viewer wanting more, and that's what those kinds of videos from the early 2000s made me want.
I don't know if I'll ever feel like I've made it. That is part of the reason why all of us, as artists, are always wanting more and working towards more and keeping busy. There is just so much that we all want to accomplish, and I just have so many goals that I haven't met yet.
Brian Eno records and music got me through. It made me feel like there were other people out there who had the same questions and fears and unhappiness. Particularly those kinds of artists who were writing songs about exactly those things.
It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
The whole notion of one person being enough for everything gets instantly challenged when you start to talk with somebody about wanting more or of wanting something else. They take it personally, feel like a failure or feel that they lack something, so you don't talk about it because you don't want to hurt, offend, or scare the other person. You also don't want to be rejected or have them leave you, whatever the reason.
I've got so many mountains to climb and goals to conquer. I've got so many scars I want to leave on the planet. I just feel like I'm not there yet. I feel like I am just getting started.
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
I just want to start conversations. I want to do films that prompt conversations - whether that is positive, negative, indifferent - just ones that you leave the theater wanting to know more, wanting to watch the film over and over again.
Not only do you want to leave the audience wanting more, you want to leave yourself wanting more.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
I feel like everybody that saw my videos was like, 'Oh this dude's about to rap.' They just played my videos, and I feel like I shocked a lot of people.
There was a time in my early 20s when I would leave a movie theater and just feel so alone and lonely afterwards. I just felt like my life was nothing like those characters up on the screen, so perfect all the time. Why didn't I talk like that? Why don't I look like that?
When I say 'The Hunger For More', it could be referring to more success. It could be more money, or respect, more power, more understanding. All of those things lead up to that hunger for more, because my more isn't everybody else's more. I feel like I made it already, because I got already what everybody on the corners of the neighborhood I grew up in is striving to get. God forbid anything happen to me, my family is straight. So anything that happens after this is just me progressing as a person.
In a certain way, sometimes it does feel like we say goodbye to a character, and we don't want to bring them back unless we have a good reason. We left the door open if we wanted to use him more. I always think it's better to leave the audience wanting more.
The '90s and early 2000s were the 'I' decade. iPhone, the iPod - everything was about me. Look where that got us? In a terrible recession.
I think 'Girlfriend' in particular is definitely one of the songs that is angled towards early 2000s, late '90s, R&B pop and those kinds of songs that were prevalent in that time. I don't think I was conscious of those songs in particular, but I'd say I definitely wanted a song that had that kind of vibe era wise in tone and all the writing.
There are two kinds of people in this world. Those who want to know the facts, and those who want to make up a nice story to feel better. I wish I was the kind who made up stories.
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